Preview, Progressive House | Alesso vs OneRepublic – If I Lose Myself (Alesso Remix) [Preview]
Posted by Middy on March 9, 2013
Less is more, quality over quantity — when Alesso strikes, he makes it count. In his first release of the year, the budding Swedish star remains silent no longer on what he has in store for us in the production front with this remix of One Republic’s “If I Lose Myself”. The remix is vintage Alesso with an easy piano driven build, letting Ryan Tedder’s vocals shine, and an outstanding melody in the break that reminds us why we love Alesso so much. This remix has the potential to be as big, if not bigger than his “Silenced By The Night” remix, so watch out for the April 2nd release on Refune Records.
Events, Preview | Dirty South @ Lavo NYC 1/17/13 Preview
Posted by Middy on January 14, 2013
After celebrating his 35th birthday at Lavo NYC on November 15th, Dirty South makes his return to the upscale NYC nightclub this Thursday for a night sure to be filled with nutella and big room tracks. Lavo always throws a good party and with Dirty South in the mix, this is a must attend event. Tickets are still on sale now so grab them before they sell out.
For the occasion, Lavo is hosting a giveaway of 2 VIP tickets, a free dinner, drinks inside the club (crucial) and a meet & greet with Dirty South with a photo-op. All you have to do is take a photo answering “What makes you feel alive?”. Full details and entry info on Lavo NYC’s Facebook. Also below is a 30 mix of recent Dirty South tracks from Lavo NYC resident Dj, Kyle Rayner. Looking ahead, if this show doesn’t work out for you or isn’t enough, Benny Benassi is taking the reigns at Lavo on Thursday, Feb 7th. Grab tickets here.
Compilation, Electro-House, Featured, Progressive House | FNT’s Top 25 Big Room & Electro Tracks of 2012
Posted by Middy on January 9, 2013
2012 was a year of explosive growth for dance music worldwide. We have seen increasing influence from the United States in dance culture, with the “bigger is better” ethos evident in everything from sound and visual production to the massive convergence of electronic music with pop music (a charge led by top-40 radio stars like Rihanna, Chris Brown, Usher, and even Taylor Swift, who made a brief but notable foray into dubstep this year). In other words, dance music has literally and figuratively blown up. Of course, with the “mainstream-ization” of dance music comes the inevitable backlash from traditionalists who’d prefer it to remain as it was in the 80s and 90s — confined to small clubs and warehouses with little attention from the general public. This rift is notably present in the trance community, where purists who prefer the higher BPMs of the 90s and early 2000s often look down upon newer listeners who have quickly latched on to what Above & Beyond famously described as “trance 2.0.”
While there are valid arguments to be made for both sides of this growing dance music debate, at the end of the day we think you should listen to what you like, and that producers should be free to evolve artistically without fear of being branded sellouts. Of course, it is important to acknowledge and respect the long (and occasionally troubled) road that electronic music has taken to get to where it is today, just as it is undeniable that 2013 has very exciting things in store for the genre — regardless of whether you’ve been a fan for twenty years or twenty minutes.
In keeping with this theme, we bring you this list in addition to our own personal lists — a list which we think sums up the year in dance music, from the clubs to the festivals to what you played on your car speakers. We all have our own tastes, but we still must pay our respects to the EDM anthems that dominated the year. So without further adieu, a few words on how this list was decided. First and foremost, this is our list, not the definitive list from the dance music gods, so no matter how hard we try to be objective we’re sure there will be some debate. Secondly, we are talking about the biggest and best tracks of the year — so tracks that were absolutely dynamite but which failed to garner support and playtime from other DJs will not make the cut. Third, remember the genres we’re covering. No hard feelings to Sasha’s remixes of “Flutes” and “Benediction” — both crushed 2012 — but this isn’t the time or the place. We also must note that we are American, so our list will mainly represent the tracks we heard at US festivals and clubs (even though some of us spent substantial time in Europe). Finally, we must give a quick nod to all of the amazing songs that were released just before 2012 but which still had an enormous impact on the year — like Nicky Romero’s “Toulouse“, Knife Party’s “Internet Friends”, Bingo Players’ “Rattle”, Swedish House Mafia & Knife Party’s “Antidote” and the ever-enduring “Epic”. At the end of 2013, we’ll give the same acknowledgment to tracks released in December 2012, like “Easy“, “I Could Be The One“, “Like Home“, “Clash” and possibly “Rift“.
Whew. Now that we’re done with that, let’s get on to The Top 25 Big Room & Electro Tracks of 2012.
Progressive House | Alesso – Clash
Posted by Middy on December 10, 2012
No matter the side that you take on the Nicky Romero vs Alesso, Iron vs Clash debate, if you even take a side, we can all be happy that Alesso after premiering “Clash” in his Essential Mix back in March, has finally finished and released this track. What has been an incredibly successful year for the young Swede with tracks like “Years“, “Silenced By The Night” and “City Of Dreams“, there seems to be no bound to what he can do with the IDs he keeps on showcasing at shows. This track weaves together a blistering melody, a powerful bass line and growling low end to give this track its toughness. With even more great tracks coming down the production pipeline, we can enjoy this one for quite some time and expect 2013 to be even bigger for the rising superstar.
Beatport: Alesso – Clash
Progressive House, Videos | Alesso feat. Matthew Koma – Years (Official Video)
Posted by Middy on October 8, 2012
One of the more creative videos I have seen in a while, the video for Alesso’s huge single “Years” takes us on the journey literally through the years of his life from his childhood getting his first piece of production equipment, all the way to where he is today and his ascendance to stardom. The video features a cameo from Sebastian Ingrosso and also has some half truths in how he was discovered and he advanced his career as a producer.
House, Videos | EDM Video Roundup – September
Posted by Middy on October 4, 2012
After doing a roundup for August, we are back to give you the best EDM videos from September. We start off with the video for Madeon’s “The City” that involves an intense chalk fight between two sides in an abandoned factory area. This video must have been a blast to be in and really needs to be recreated in real life. It emulated the colorful twists of Madeon’s nu-disco sound. We continue after the jump with more from Lazy Rich & Chris Lake, David Guetta, Deadmau5, Thomas Gold & more.
Albums, House, Pop | David Guetta – Nothing But The Beat 2.0
Posted by Middy on September 12, 2012
David Guetta may be the most hated man in dance music, but he (or his production team) sure knows how to make hit singles. The vast majority of the album are just re-releases of tracks from the original Nothing But The Beat, but there are 5 tracks on here that you should get to know before they become the soundtrack of your nightlife as the world picks up on these new hits. Using the exact cover design as Nothing But The Beat, David Guetta or Giorgio Tuinfort, Frédéric Riesterer and co. spare no shameless sample as they take Alice DJ’s timeless classic, “Alone Tonight” and transcribe it into “Play Hard” with Usher & Akon, a track bound for radio success.
iTunes: David Guetta – Nothing But The Beat 2.0
That is not to say that some of these tracks are not tunes we can all dance to. “Every Chance We Get We Run” tags Alesso to come in to take the production reigns, much like Avicii did on “Sunshine” and at first I was expecting him to mail it in like he did with his work on Usher’s “Numb”, but surprisingly the production work is very good. It sounds like vintage Alesso, dumbed down some to fit a radio audience, while working in tandem with vocals with Tegan Quin & Sara. Guetta’s production team’s mark can be seen with guitar melody in the build, while Alesso elevates the production with a layered melody in the drop.
Nervo joins Guetta and co to give us “In My Head” as they provide the vocals on the track and invariably helped on some of the production. The track provides catchy vocals with a melody that bridges the gap between dance and radio, as Guetta has done countless times before. The track that I find myself coming back to the most, “Just One Last Time” combines excellent vocals that will get stuck in your head from Taped Rai with a superb melody that is begging for an Alesso remix, but still stands tall on its own as well. “What The F***”, David Guetta’s instrumental effort is rather lackluster with a drop that does not separate itself from previous efforts.
Overall the album lacks creativity with the same exact cover art and using the context of a “new album” to rerelease a bunch of old material. That being said the new tracks were surprisingly good, despite the use of a shameless sample. These tracks will inundate party playlists and radios nationwide very soon, so get on these now.