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DJ-Set, House | [INTERVIEW]: Chit Chat with Eelrack after Mysteryland!

Posted by on June 20, 2016

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After a stellar performance at Mysteryland’s renowned Spiegeltent, we opted to speak with knowledgable and talented tech house connoisseur EELRACK and discuss his rise in the scene and upcoming projects.

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Bass | AWAL Shares About Adaptation, Music Production, Current Inspirations & More

Posted by on April 28, 2016

If someone knows what new things are simmering in the bass-music game, it’s AWAL. The solo DJ brings a global perspective to his music, traveling back and forth from Korea and Canada, which can be heard through his adaptive approach to the area of dance music he dabbles in. His upcoming releases is what really gets me excited. Keep an eye out for those in the next coming weeks.

AWAL focuses on the heavier side of dance music, but your next releases will feature a bit of a genre change, what made you make this decision?

Alex: It wasn’t until recently that I’ve started to find my own sound in the bass scene. A blend of trap, some elements of hardstyle and always lots of energy. My upcoming releases really focus on the energy without always sticking to the same genres. There’s a huge driving electro/bass house track forthcoming on Chuckie’s Dirty Dutch Digital. A Hip-hop/Trap/Hardstyle heater featuring M.I.M.E. A Trap/DnB remix I’ve done for a friend. As well as a huge and wild 155bpm original track. I’m really trying my hand at taking my high energy style to different genres. I play so many different styles in my sets, that I’m trying to explore that in my music too.

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Cover, Interviews | CJ Holland Covers “Chains” & Talks Influences, Debut Album

Posted by on April 2, 2015

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CJ Holland is back with his latest cover, this time adding some soulful flavor to his acoustic cover of Nick Jonas’ hit “Chains.” As he’s continued to amass a steady following and work towards his debut album, we sat down with him to learn more about his work and what we can expect next.

Catch the interview after the jump!
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Albums, Interviews | Just Blaze DjCityTV Interview

Posted by on July 9, 2014

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Shout out to DJCity for sending over their latest interview with Just Blaze! Having met the veteran legendary producer a few weeks ago, and hearing the man speak the truth on the current state of the music scene, and his transition into the DJ realm, I felt the need to share this. I had a chance to catch him live in Miami, as he filled in for a set after Kaytranada, and I can tell you for a fact the man does more than push buttons, going as far as beatboxing on the mic when the sound system accidentally shut off, to keep the party going! Respect to DJCity, and respect to Just Blaze! This is a must watch interview!

Alternative, Featured | Meet Great Good Fine Ok, Your Soundtrack to Summer

Posted by on June 2, 2014

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By: Annie Dineen

If you’ve danced it out to a funky synth line, tested the limits of your shower’s resonance with high notes, or dabble in keytar solos, you’ll love Great Good Fine Ok. Made of creamy-smooth falsettos and hip-shaking synth beats you won’t need a degree in twerking to dance to, Great Good Fine OK is the indie-synth-pop ice cream bar dipped in R&B syrup that you’ll be craving all summer.

I spoke to the band before their show at Baby’s All Right, a colored light infused venue in Brooklyn replete with elaborate drawings spanning the walls and copper crocodiles carrying incandescent orbs in their mouths. The exuberant twenty-somethings, fresh off a few of their first shows ever at South by Southwest, were particularly excited to be opening for Tove Lo, the Swedish pop goddess whose affinity for black mesh shirts and eating dinner in bathtubs has met with massive recent success. “We’re both big fans of Tove Lo, we’ve been listening to a lot of her,” they tell me. “It’s funny cuz we actually are fans of her, we’re not just saying that.”

Great Good Fine OK is Jon Sandler and Luke Moellman, two Brooklynites who, despite growing up a town apart in upstate New York, didn’t meet until moving to Brooklyn. “We worked together on a couple musical projects, and I was saying some day we should write a song together and it just like, never happened for a while. Then one day we ran into each other on the street like after months of not seeing each other and we were like let’s do this, let’s write a song. That night he sent me the music to “You’re the One for Me” and the next day I wrote the lyrics and the melody to it, kinda sent it back and forth, and we were kinda like ‘oh shit, we have something here.’”

Though they often finish each other’s sentences, Jon taking the lead as they talk and Luke filling in to expand or clarify, when it comes to songwriting, they’d rather be far apart.

“We’re rarely in the same room when we write,” Jon says. “Luke is the producer/engineer and writes. The formula we’ve been working on is…” Luke picks up the slack. “I’ll like write the music to it, the instruments, everything, and then give it to Jon and he comes up with the melody and the lyrics and then sends it back and he’ll have comments about what I did and I’ll have comments about what he did. That’s sort of the formula, that’s what’s been working for us, and it’s really awesome because we both get to focus on what we feel like we’re best at.”

“It’s cool,” they say of their hyper-2014 digital songwriting sessions. “You can sort of turn off the part of your brain that’s really critical if there’s nobody else around.”

The sound that emerges is heavily pop, often compared to artists like Passion Pit or M83. I ask them to describe their sound. “I think the most accurate things people have said is that it’s like a mix between synth pop and R&B,” they tell me. “We’re using a lot of elements that are in Passion Pit and M83 and all these comparisons we’re getting. At the same time, I feel like we’re a little more influenced by more classic 70’s and 80’s.. Whitney Houston, Michael Jackson. So any description that combines those two worlds is really cool and it is really hard to verbalize.”

“Our favorite descriptor we got was that somebody called us ‘PBR Kelly’. Isn’t that amazing? We’ve talked about it a lot. I hope the people that wrote it know that we love it.”

I ask them what they’ve been listening to lately. “I have a car so I listen to a ton of top 40 radio, so I can tell you exactly what I like in the top 40 world,” Jon says, laughing. “I like that Paramore song “Ain’t It Fun,” I like the new Justin Timberlake jam [“Not A Bad Thing”] – it’s amazing! My favorite band in the world is Steely Dan, but you wouldn’t necessarily know that from the type of music we play.”

Dreams for the future? “I always say this and I think it bothers Luke,” Jon says. “But I would love to go on tour with a big pop artist like Lady Gaga, somebody like that who does kind of artistic things within the pop. Does it bother you?” Luke retains a stoic poker face. “I always say Lady Gaga because like while she writes pop songs and she’s like on Top 40 radio, I feel like it’s how in that respect she’s kind of trying to be creative, not just in the confines of a pop machine.”

“It would be extravagant. Lights, smoke, maybe some fire. Fire mostly shooting out of Luke’s instruments.”

Luke laughs. “I’m beginning to warm to the idea. No pun intended.”

So start practicing your #bodydiamond (no, they did not explain), and get ready to fall in love with the infectious groove of Great Good Fine OK. With or without pyrotechnics, they’re lighting a spark in the pop scene.

Trap | Mr Collipark – NO DISCRIMINATION W/ MEAUX GREEN FEAT. DPK + Interview

Posted by on May 12, 2014

NO DISCRIMINATION W MEAUX GREEN FEAT. DPK

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Ladies and gentlemen the godfather of twerk, the man to whom many of you should thank for sending those good vibes to your bum bum, Mr Collipark, responsible for the success of the Ying Yang Twins, Souljah Boy and many more, has decided to come back full throttle with a banger that fits right in with the trap gods DJ Snake and Diplo’s releases! In exclusivity we had a chance to speak with the legend on his thoughts on the current twerk epidemic, EDM music, and what advice he’d give to all of the producers/MCs. Check it out on the jump and t his is a must listen and a must download!

Free Download: NO DISCRIMINATION W/ MEAUX GREEN FEAT. DPK

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Exclusive, Pop | King Deco — Tigris EP & Interview

Posted by on April 24, 2014

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Amidst this facile pop culture climate—in which producers and writers alike have problematically concluded that lucrativeness follows the more nugatory and hollow creations—an artist with a clear identity and sound is at once both palpable and powerful. Hence, my enthusiasm for King Deco. A month after releasing her EP’s lead single, “One”, the full project is here, adding two mesmeric and lushly-produced tracks in “Laila” (produced by Adam Pallin) and “Ocean” (produced by Cobra Starship’s Ryland Blackinton & One Love), as well as a Kinetics verse with every bit as much of the intricateness and carefully-crafted lyricism we’ve come to expect from the astute rhymer. What is most compelling, though, about King Deco’s project, is how much depth and weight this project bears in just three songs. She excels at combining lyrical tension with her softening, tranquil harmonies, and ultimately leaves us craving a more ample dose of her world. Luckily, we don’t have to wait long, with her Euphrates EP release around the corner. For more, we spoke to the talented songstress herself:

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