Posted by BP on September 5, 2014
Here is a new track called “Come Back For Me” off of Jaymes Young’s new EP called “Habits Of My Heart”. His voice is so unique and recognizable, and I mean that in a good way. The style he sings with conveys the emotion behind his tracks beautifully. “Come Back For Me” features his signature style over slow ambient synths and harmonic layers. This one’s got some deep vibes. You can grab the whole EP off Itunes now.
Posted by BIGLIFE on August 22, 2014
Summer isn’t over with the latest remix by Matoma , who turns this record into another catchy release. It just makes you want to jump into a pool and enjoy the last weeks of summer. Take a listen and enjoy!
Posted by Spice on July 24, 2014
The debut EP from Brooklyn-based Painted Zeros is, for lack of a better word, awesome. The five tracks comprising SVALBARD are an assertive and creatively varied journey through the psyche of singer/songwriter/guitar player/producer/jack of all trades Katie Lau. No fillers here, unless you count 30 seconds of tight experimental wandering halfway through — the EP ranges from deceptively fragile and New Order-tinged (“This American Life”) to ecstatic and garage rock-y (“Jaime”) to moody-yet-hopeful-yet-delicate-yet-steely (“Too Drunk”). It manages to feel at once retro and searingly modern — a tricky balance attempted by many but achieved by few. Check out SVALBARD in full below and hit the free download, because free download.
Free Download: Painted Zeros – SVALBARD EP
Posted by Mel on July 23, 2014
I’m big into pop, progressive house, and large women talking to me. Not even joking about that last one, cause I like talking to everyone. I am constantly stocked up on progressive house tracks, but I am not as deep into the pop realm as I’d like to be. I go in a little bit, then out for a brief moment, then back in, then pretty much repeat that for a while. John Cena knows. Smallpools is one of the few who can keep me in there – I’m a huge fan of them – so I was happy to see that they released a new song. “Killer Whales” is great and has the same upbeat and fast paced feel as all their previous stuff. While it may not be their best track, it is still quality and definitely worth a listen for all you indie-pop lovers out there.
Free Download: Smallpools – Killer Whales
Posted by TwirlyHatMatt on July 16, 2014
It takes a lot for an alternative or indie band to stick out to me. My ear isn’t particular honed in this genre, and I never like to point people in the direction of an artist or song that isn’t amazing. Luckily for me and you, I have no qualms telling you the Prelow is one of the most exciting and intriguing Indie bands out right now, period.
With only three songs in the entirety of their catalogue, the New York duo has shown us many sides and an incredible amount of talent.
Their most recent song “Mistakes Like This” is another huge leap forward in their music. The blunt chorus immediately stands out to listeners, contrasted against the tender verses. Take a listen below to the all-to-relatable song.
And my dick takes over,
and I’m thinkin’ about your lips,
but we’re too damn sober,
for mistakes like this.
Posted by Grubeats on July 9, 2014
Fitted in Celtics green track suits, the Boston duo hit us with visuals for what is now their 4th single off their recently released self-titled album. A carefree attitude clearly the motive behind this track, which is only appropriate seeing as though the FAM has pioneered a new lane in music. Light guitar riffs, a repetitive and free spirited hook, and the usual clever rhymes back this message as they continue to carve out their niche. Carter & David are currently on a nationwide tour Headlined by Dirty Heads, Pepper, & limited appearances by 311. For tour dates & tickets, check out Aer’s website.
Purchase on iTunes: Aer – Whatever We Want
Posted by TwirlyHatMatt on June 2, 2014
By: Annie Dineen
If you’ve danced it out to a funky synth line, tested the limits of your shower’s resonance with high notes, or dabble in keytar solos, you’ll love Great Good Fine Ok. Made of creamy-smooth falsettos and hip-shaking synth beats you won’t need a degree in twerking to dance to, Great Good Fine OK is the indie-synth-pop ice cream bar dipped in R&B syrup that you’ll be craving all summer.
I spoke to the band before their show at Baby’s All Right, a colored light infused venue in Brooklyn replete with elaborate drawings spanning the walls and copper crocodiles carrying incandescent orbs in their mouths. The exuberant twenty-somethings, fresh off a few of their first shows ever at South by Southwest, were particularly excited to be opening for Tove Lo, the Swedish pop goddess whose affinity for black mesh shirts and eating dinner in bathtubs has met with massive recent success. “We’re both big fans of Tove Lo, we’ve been listening to a lot of her,” they tell me. “It’s funny cuz we actually are fans of her, we’re not just saying that.”
Great Good Fine OK is Jon Sandler and Luke Moellman, two Brooklynites who, despite growing up a town apart in upstate New York, didn’t meet until moving to Brooklyn. “We worked together on a couple musical projects, and I was saying some day we should write a song together and it just like, never happened for a while. Then one day we ran into each other on the street like after months of not seeing each other and we were like let’s do this, let’s write a song. That night he sent me the music to “You’re the One for Me” and the next day I wrote the lyrics and the melody to it, kinda sent it back and forth, and we were kinda like ‘oh shit, we have something here.’”
Though they often finish each other’s sentences, Jon taking the lead as they talk and Luke filling in to expand or clarify, when it comes to songwriting, they’d rather be far apart.
“We’re rarely in the same room when we write,” Jon says. “Luke is the producer/engineer and writes. The formula we’ve been working on is…” Luke picks up the slack. “I’ll like write the music to it, the instruments, everything, and then give it to Jon and he comes up with the melody and the lyrics and then sends it back and he’ll have comments about what I did and I’ll have comments about what he did. That’s sort of the formula, that’s what’s been working for us, and it’s really awesome because we both get to focus on what we feel like we’re best at.”
“It’s cool,” they say of their hyper-2014 digital songwriting sessions. “You can sort of turn off the part of your brain that’s really critical if there’s nobody else around.”
The sound that emerges is heavily pop, often compared to artists like Passion Pit or M83. I ask them to describe their sound. “I think the most accurate things people have said is that it’s like a mix between synth pop and R&B,” they tell me. “We’re using a lot of elements that are in Passion Pit and M83 and all these comparisons we’re getting. At the same time, I feel like we’re a little more influenced by more classic 70’s and 80’s.. Whitney Houston, Michael Jackson. So any description that combines those two worlds is really cool and it is really hard to verbalize.”
“Our favorite descriptor we got was that somebody called us ‘PBR Kelly’. Isn’t that amazing? We’ve talked about it a lot. I hope the people that wrote it know that we love it.”
I ask them what they’ve been listening to lately. “I have a car so I listen to a ton of top 40 radio, so I can tell you exactly what I like in the top 40 world,” Jon says, laughing. “I like that Paramore song “Ain’t It Fun,” I like the new Justin Timberlake jam [“Not A Bad Thing”] – it’s amazing! My favorite band in the world is Steely Dan, but you wouldn’t necessarily know that from the type of music we play.”
Dreams for the future? “I always say this and I think it bothers Luke,” Jon says. “But I would love to go on tour with a big pop artist like Lady Gaga, somebody like that who does kind of artistic things within the pop. Does it bother you?” Luke retains a stoic poker face. “I always say Lady Gaga because like while she writes pop songs and she’s like on Top 40 radio, I feel like it’s how in that respect she’s kind of trying to be creative, not just in the confines of a pop machine.”
“It would be extravagant. Lights, smoke, maybe some fire. Fire mostly shooting out of Luke’s instruments.”
Luke laughs. “I’m beginning to warm to the idea. No pun intended.”
So start practicing your #bodydiamond (no, they did not explain), and get ready to fall in love with the infectious groove of Great Good Fine OK. With or without pyrotechnics, they’re lighting a spark in the pop scene.