Moombahton | Bro Safari & ETC!ETC! – The Clap (Will Bailey Remix)
Posted by Spice on October 10, 2012
Praise the lawd: some top shelf, grade A moombahton at last! The Trap Takeover of 2012 has not been especially friendly to the 112 bpm genre, so Will Bailey’s bouncy, laser-heavy remix of Bro Safari and ETC!ETC!’s “The Clap” is a most welcome addition to this Wednesday morning. Break out your dancing shoes and get the free download below.
Bonus track: Bro Safari and ETC!ETC! – Suspects
Albums | Lana Del Rey – Serial Killer (Album Preview)
Posted by ATexas on September 17, 2012

Betchy takes human form in Lana Del Rey. Her hair is huge because of the secrets of chicness reside in there. This firey vixen exudes sadness, chicness, and the general “over-it”-ness. She’s developed her own genre that could basically be described as the epitome of a #whitegirlproblem. 3 days ago she did a massive release of music and here are my personal favorites.
Lana Del Rey-On The Radio
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Lana Del Rey-Serial Killer
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Alternative | Experimental Selections
Posted by W8 on September 12, 2012
I dedicate this post to the very few tracks that stand the test of time during this unsatisfied, impatiently needy generation. I’ve come to appreciate my savvy talent for deviating passed oceans of terrible shit in pursuit of gems out in the distance. Its got me following artists that are just off wandering in the realms of experimental sound, clearly inspired by nothing – production at its finest. These tracks below aren’t meant for a club, or any type of gathering, it’s the kind of shit you just vibe to by yourself. No genre, just a sound.
Alternative, Videos | Adam Jensen – Lost Without You
Posted by A on September 4, 2012
“I forgot to be myself while you were busy being you.”
Rock music has its eccentrics, and it has its pop stars. As the genre has been pushed further and further out of the mainstream, it seems to have little room for authentic artists that split the difference. Boston based Adam Jensen, the self-proclaimed “poster child for the revival of the musician in the traditional sense” aims to fill that void under the tutelage of Buddy Allen Management.
Perhaps known best for elevating New England’s “Mission Hill” to a position of considerable notoriety, Adam Jensen has opened for the likes of Bon Jovi, Kid Rock, and more. In fact, Jensen recently performed his critically acclaimed “Lost Without You” single on Fox 17 in Nashville. Written by Adam Jensen, Rob Thomas, and Dave Harris, “Lost Without You” details the rise and fall of a relationship that’s palpable as it is powerful, leaving the listener wanting more.
Be sure to follow Adam Jensen on his journey as he continues to make waves in the blogosphere through his social media sites below.
FACEBOOK // TWITTER // SOUNDCLOUD
Electro | Noosa – Walk On By (Sound Remedy Remix)
Posted by J_Salzer on September 3, 2012
You know something is wrong when you see me posting electro. Or whatever this is…I’m new to this genre. I haven’t been able to find anything hip-hop to blog for the past week, I even asked artists to spam my Twitter in hopes of finding something. But alas, here we are. I’ve always enjoyed Sound Remedy’s remixes. They’re not as grungy and dirty as some of the other music I hear. They’re always clean and well done, with very slow, deliberate builds, with vocals that keep you from getting bored. Grab the track below for free courtesy of SR and enjoy all 7 minutes of it.
Albums, Hip-Hop | Kinetics & One Love — You Are Not Alone [Album Release]
Posted by jeffwbaird on August 29, 2012
When Kinetics & One Love released their first album in 2009, it was evident that they were still students in college (albeit extremely talented ones). Their debut, Fading Back to Normal, was crafted around an abrupt breakup, and the mood vacillated as Kinetics utilized the recording process to heal his wounds. While the album spawned many fan-favorites, blog-standouts, and even the quadruple-platinum single “Airplanes” (later recorded by B.o.B), it was the sense of potential that lingered after the release that drew them such a quick and organic following.
Three years later, after constructing a new twelve-track LP that is immediately indicative of their growth—both as a collective and individually—Kinetics & One Love reached the top ten of the iTunes hip-hop charts, just two hours into the album’s release. The immediate popularity of the album has to do with the fact that while You Are Not Alone is not really a departure from their sound, it has been sincerely refined and developed, and the scope of their work has radically escalated. While Fading… had a heavy dose of impactful and conscious material in its own right, here Kinetics has made that the focus, pinning the album’s success on his fluency while speaking about global and personal issues, which he executes with astounding ease and eloquence. You Are Not Alone frequently veers beyond the local, which is part of what makes it such a striking release from artists so early in their careers. It is also uncharacteristic for its time given the strong album concept, which Kinetics described as its being told from “the perspective a futuristic alien society reflecting upon Earth’s mistakes in 2012 and pondering the future direction of mankind.” This theme tightly winds around the material in metaphors that gives it a true sense of unity—something almost entirely lost in an iTunes-dominated era of music.
While Kinetics has fine-tuned and sharpened his flows, One Love’s production game has elevated remarkably, weaving together elements of hip-hop, pop, and EDM to create a soundscape that is captivating and melodic all the way through—battling Kinetics’ lyrics and flow head-on as the most memorable and hypnotizing constituent of every song. His growing presence as a producer plays a prime role in the duo’s development, which—accompanied with Kinetics’ more dominant vocal presence and delivery—has given them the power to sustain the listener’s attention for a proper full-length and then some.
Over its twelve tracks Kinetics drops copious amounts of knowledge, touching upon domestic abuse in “Hideous,” teen suicide in “Sign Language” with Wynter Gordon, and struggling to fit it on “Sometimes I Feel Like A Robot,” a song that perfectly balances Kinetics’ ability to please hip-hop heads and lyrical enthusiasts as well as those with a pop ear. Kinetics & One Love were clearly selective in their pursuit of features, as everyone here serves a purpose, whether it’s Termanology starting off the triumphant “Still Dreamin'” with a precise and fierce flow, Yung Joey adding boast and posture to the club jam “In My Own World,” or Accent blazing through the most complex of rhyme constructions (“the heart of this artist harbors a harshness/from horrible hardships so heartily harnessed”) on the standout “This Too Shall Pass.” Other features include Nitty Scott, KGB, Paulina Goudieva, Mimoza, B.Love, Hunter Stout, and KTSB, as well as producer Kenna Okoye, who helped construct what are arguably two of the album’s liveliest instrumentals (“Hideous” and “In My Own World”). This album is well worth your $10 on iTunes, because beyond these twelve tracks you are supporting hip-hop with a soul and message, and proving that it can still be profitable for artists and labels.
DOWNLOAD ON ITUNES: Kinetics & One Love — You Are Not Alone
Events, Trap | JMSN – Girl (I Used To Know) [MiMOSA Remix]
Posted by Mach on August 23, 2012
Most current Trap is terrible, just because you have never heard of Trap before its recent explosion doesn’t mean you should try to create it. Everyone who has or is planning to create a Trap track please listen to this and take notes. MiMOSA has created the perfect example of good Trap. The beat isn’t Moombahton repetitive, as most recent Trap is, and better reflects its Hip-hop counterpart. The remix is exceptional, JMSN remixes are always an interesting listen for the versatility the vocals hold. MiMOSA gives Trap a good name, if the genre has any chance of survival at this point, his example is the one to follow. Also check out MiMOSA on his Future Trill tour this fall, going from september all the way until the end of November. Tickets on sale soon. Dates after the jump.




