House | Jazmin Dexx’s ‘Body’ Is the Tech House Track You Can’t Miss On S&S Sound House
Posted by VMan on August 1, 2024
Jazmin Dexx’s latest track, “Body,” is an explosive mix of tech house energy and great vocal personality —an anthem that’s impossible to ignore. The chorus packs a punch, staying with you long after the song ends, while the verses unfold a narrative of passion and empowerment. The way she transitions from high-energy peaks to softer, introspective valleys creates a dynamic listening experience, making every beat feel fresh.
Hailing from the streets of LA, Jazmin’s journey has been anything but easy. Her path was filled with obstacles, each one shaping her distinctive sound and perspective. Whether she’s performing in a small, intimate venue or commanding a larger stage, her authenticity is palpable.
In terms of career milestones, Jazmin Dexx is hitting all the high notes. Her tracks have risen quickly on Beatport’s tech house charts and her bookings are on the rise. Collaborating with some of the industry’s heavy hitters, she’s showcased her versatility, leaving a lasting imprint on the music scene. Jazmin Dexx is undeniably one on the rise, reshaping the industry with her unique voice and vision.
Albums | Ryan Ofei releases his most accomplished body of work to date with ‘Celebrate’
Posted by VMan on August 25, 2023
As 2023 unfolds, Ofei presents his latest offering: the captivating EP titled ‘Celebrate.’ This four-track exploration not only showcases Ofei’s artistry but also reflects his evolving sonic direction. The EP’s empowering singles, ‘Daily’ and ‘Abba,’ are accompanied by the titular track ‘Celebrate,’ a poignant song inspired by a life-altering car accident that transpired on Ryan’s 18th birthday.
In this track, Ofei takes a departure from his renowned soul-stirring sound, venturing into the soothing realm of alternative R&B. His signature voice and melodic prowess, however, remain at the forefront, guiding listeners through a journey of reflection and liberation. The lyrics “Feels like freedom” encapsulate the essence of the song, encapsulating the joy that life embodies and the freedom found within faith.
Collaborating with a team of skilled producers including Jordon Manswell and Kofo, Ofei expands his musical horizons with ‘Celebrate.’ The song serves as a testament to his newfound peace and authenticity, encapsulating a dynamic that pushes the boundaries of Christian music. With this release, Ryan Ofei emerges as a trailblazer in the genre, skillfully weaving subtle nuances from various musical realms into a resonating sound that captures the essence of his craft.
In his own words, Ofei reflects on the genesis of ‘Celebrate’: “‘Celebrate’ is the first song we made in the sessions for my upcoming album. It was an eye-opening experience for me because the producers took me to a new space sonically. I’m singing about the freedom that I experience by walking in my faith but doing it in a way that feels raw and authentic.”
In conclusion, Ryan Ofei’s ‘Celebrate’ EP stands as a testament to his artistic evolution and unwavering faith. Through a tapestry of genres and emotions, Ofei invites listeners to join him on a journey of celebration, introspection, and the boundless possibilities of music’s transformative power. As he continues to forge a unique path in the contemporary Christian music scene, Ofei’s legacy as a spirit-led artist and captivating performer remains firmly secured.
Alternative | Fiery Indie-Pop Artist Sophie Kilburn Shares Debut EP ‘My Room Made Public’
Posted by VMan on September 12, 2021
Sophie’s new My Room Made Public, is a four-track EP with an indie-pop inspired style fused with a classic 70s flare throughout. It is a bold sonic fusion of old school rocker & modern pop warrior that sits neatly alongside ALT Pop heroes like Haim, Phoebe Bridgers and Soccer Mummy that have successfully contributed to a new genre that fits in both the past and the present, with a heavy emphasis on storytelling. Check out a thorough quote on the project after the jump and stream Sophie’s new EP above now.
“The concept of the EP started from my growing hunger turned obsession with wanting to be heard. What do I have to do to be really listened to, to be taken seriously as an artist, as a woman, as a person? How much do I have to share to feel like I’m enough? I spiraled, thinking ‘it’s just not in the cards for me’. The noise in my head got so loud that it really started to well… piss me off. I became acutely aware of how strong the pressure of sharing everything with everyone all the time is. There is this fear that if you don’t share it all your identity is no longer validated or worthwhile and that can be very dangerous. I don’t want to keep feeling that and I don’t want anyone else feeling that either. The project took on a whole new meaning when the pandemic hit and we were all forced to reflect on ourselves and the world we live in, it made me think well it is more relatable now than ever. With My Room Made Public, I wanted to create a body of work that is an emotionally open and honest introduction to me as an artist and the songs I write. It is chapter one of what I hope will become a classic trilogy. At the end of the day, I just want to bring emotional comfort and make people want to fight for what they want out of life, find themselves in their own way and to never settle for something that hurts them. I guess I am trying to do that for myself too but there is always strength in numbers.”
Hip-Hop | Tree Thomas and IAMSU! link up on “Tick Tok”
Posted by VMan on October 8, 2020
Produced by HEFNAGWAP and featuring guest vocalist IAMSU!, ‘Tick Tok’ is a bass-filled club stomper with some serious heavy energy behind it. With its pounding beats, solid hook, and Tree Thomas’ own unmistakable flow, this new release is a short but powerful return for the ever-rising MC that also comes with a clean visual. “Tick Tok is about having fun and not wasting time. It’s a “natural vibe”, soon as you hear it your body wants to move.” said the rising rapper about his latest drop. Check out the new video above now!
Electronic | PREMIERE: Passerine impresses with “White Shadows and Grey Noise”
Posted by APM on August 15, 2016
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Melbourne trio Passerine take us a little deeper into their world of galactic-soul sounds this week with a grand new electro-beat track called “White Shadows and Grey Noise”. A fluid beat combined with warm vocals and and beautiful synths – “White Shadows and Grey Noise” is perfect to sit back and take in or to let your body move as well. Band-mate Phoebe said, “To me this track felt like anxiety. That inner dialogue you hear, telling you that you’re no good, questioning your every move.” After listening, you definitely hear what she meant. This track is a must listen, so check it out now and be sure to follow Passerine on their socials to stay up to date with their latest releases.
Mixtapes | Arona Mane just released his new mixtape “2096:Retro/Future”
Posted by APM on June 7, 2016
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Sydney producer Arona Mane just dropped “2096:Retro/Future”, a collection of 10 collaborations, bootlegs and remixes. The mixtape combines elements of funk, soul and hip-hop, creating a unique blend of future-funk electronica. From the artist: “I wanted to present an actual body of work very early on, in an effort to introduce my sound in a bigger way…I’ve always fallen in love with artists because of their albums as a whole – I want to deliver that feeling with my music.” Check out “2096:Retro/Future” now and be sure to support Arona Mane!
Hip-Hop | Latium’s BENJ Drops Fire Mixtape Titled “Homework”
Posted by BIGLIFE on September 23, 2015
Premiered by our friends at GoodMusicAllDay.com, Latium’s BENJ drops his highly anticipated “Homework” mixtape that we’ve been teasing for weeks. Featuring collaborations with W. Darling, Stockz, and De’Wayne Jackson, “Homework” is an impressive mixtape packed full of witty wordplay, notable samples, and tight production. Recorded and produced in his kitchen, BENJ delivers a body of work that we’ll be listening to for months to come. BENJ. Latium. Homework. Class is in now in session.