Interviews, Trap | Interview with up and coming producer Crowd Cntrl
Posted by jrhardy on July 17, 2015
Rising producer and DJ Crowd Cntrl does a nice job with his remix of Bingo Players “Nothing To Say.” I got in touch with Sully and was able to ask him some questions so check it out on what its like to be making music as a college student. However, more importantly check out his “Nothing To Say” remix. Very nicely done and very clean work from Crowd Cntrl. Watch out for this guys in the future.
Interview:
1) What is a typical day like for you?
A typical day for me? That’s a tough question to answer because every day is filled with new ideas, opportunities, etc. such as this interview and feature. So as far as a set schedule goes, I don’t really have one unless I’m in class or working at my part-time day job (Guitar Center Sales Associate). However, when I’m not doing school work or working my day-job, its 100% effort into Crowd Cntrl, even if it keeps me up half of the night on exam week.
Currently, I’m working on a lot of original material and I’m digging deep with sound design to develop a type of sound that hasn’t really been “trademarked” yet. If I’m not working on that, I’m usually polishing up remixes, edits, and mixes to keep the hype going around Crowd Cntrl. It’s extremely humbling for me to get all this recent exposure on my two latest remixes, and I only look to continue that success with a lot of hours or work and TONS of coffee lol. I don’t wanna give too much away, but what I can tell you is that this original work doesn’t exactly fit one particular style of electronic music. My goal with my first original project, whether it’s a full blown album or just a 5-7 song EP, is to really spread myself throughout the entire EDM genre spectrum and not follow a style but rather have a hybrid outlook on it.
Besides the music portion of things, my team and I are always thinking of ways to bring fans into my life and really get them involved with what I’m doing to give them a more personal perspective of who I am. Who would I be without everyone supporting me, right? At the end of the day, I’m just like every other 20 year old out there that’s just trying to get his sound heard, so the support is crucial!
2) What personal advice would you give to someone wanting to pursue this career?
My personal advice for anyone looking to pursue this career is built upon 3 things:
1. Get GOOD people to work with and work for you. Whether it’s a collaboration, your manager, or social media team, it’s SO important to make sure that these individuals are willing to put in just as much effort into the overall goals of what you are trying to accomplish.
2. Give yourself mental breaks. This career can become very mentally frustrating when ideas aren’t flowing the way they should be. Give yourself a break for a while and come back to it. It’s weird, but I often find my best ideas when I’m not thinking so hard.
3. Have fun with it. The idea that you can entertain yourself and entertain others through music is awesome so enjoy it no matter what level you get to.
3) Why do you think that your “Nothing To Say” remix is one of your best tracks?
It just gave me the chills the first time I played back the song completed. I remember listening to just the bassline harmony in my studio and I was struggling for days trying to come up with a melody that fit it. I think I was at work actually and I just whipped out that melody progression on one of the pianos we had in the store while listening to it on headphones during my lunch break. From there, I recorded in into the studio computer at work and then developed the squarish synth later that night at home. In addition to that, I think the way the brass section creeps into the drop was pretty cool and adds a nice sustained low-end feeling giving it that “festival” feel. I also think the vocal chop carries the song from the beginning to the end and it’s never too overwhelming but still powerful enough to sit in the mix perfectly.
4) What is it like being a DJ/Producer in college? Do people respect it or hate on it?
Almost all people respect it, obviously you get haters here and there, but I’m sorry I’m not playing top 40 for you unless it has some filthy drop behind it lol.
It’s an experience that has evolved for me over time. I am now currently a double degree at Western Michigan University in both music production/recording arts and business management. It is quite the work load which is where the coffee and long nights come into play but the school work is going hand-in-hand with my personal journey with music all at the same time, so it’s nice and I’m learning a ton as I go. On the DJing aspect of things, being in a large network of people definetely helps a lot and my shows continue to grow in size every time I play. It’s something about being on stage that is just the biggest high in the world for me and I can’t imagine doing anything else then making people move and producing music that I love.
5) Do you DJ your own college parties?
There have been times where we have thrown our own events like tailgates, big apartment complex events, etc. for strictly promotional purposes. However, we mostly we stick to bars, clubs, fraternity/house parties, and a few festivals with our bookings; at least for the past year or so. This fall we are really looking to expand and get to new areas of the midwest region and country and see what can develop from that. Right now we are handling all our own booking but are looking to get into a talent agency in the near future as my popularity and value increases steadily here in the next few months.
6) What makes you unique and separates you from other rising artists?
A lot of artists would answer this question with something along the lines of “my talent”, “my hard work”, “my determination”, yadayadayada, I’ve seen these kind of answers everywhere. SO to be unique, I’m just going to say I would rather have everyone else answer that question for me and just let my music speak for itself. I’m just going to keep doing my thing and finish this un-trademarked sound. The sky will be the limit from there.
Remember to check his remix of “Nothing To Say” out!
Albums, Trap | Jayceeoh Teams Up With Redman and Jay Psar To Drop “Turn Me Up Some”
Posted by BIGLIFE on July 17, 2015
Jayceeoh is coming in hot. This time it’s in the form of a brand new colloboration on SUPER 7 RECORDS with the legendary Redman and Belgium based artist, Jay Psar. As a thank you for supporting Jayceeoh’s music, he’s given his fans “Turn Me Up Some” for free download for a limited time only. Be sure to pick up the record via iTunes below.
DOWNLOAD: Jayceeoh – Turn Me Up Some (feat Redman & Jay Psar)
Heart it on HYPEM here.
Trap | FNT Premiere: ENFERNO Goes HAM with “NoNoNo”
Posted by VMan on July 16, 2015
Facebook | SoundCloud | Twitter
Former DMC Champion, and turntablist veteran Enferno, releases a new original single ‘NoNoNo,’ blending moombahton with house and trap vibes. My first thought listening to this track was this is David Guetta & Nikki Minaj’s “Hey Mama” on speed, but then I came up with another analogy, this is Bakermat’s “Another Man” on crack, and I mean this with all respect towards Enferno, for all my ragers, who just can’t get down with the chill, but rather would get turned up with the hype and the beats. Festival season is an order, don’t be surprised to hear your favorite DJ dropping “NoNoNo,” at a festival near you, we got the premiere! This is a must listen!
Trap | Zedd ft. Selena Gomez – I Want You to Know (Crankdat Remix)
Posted by VMan on July 10, 2015
When Zedd throws a remix competition, you know it’s going to blow up and attract the attention of tons of producers. In addition to receiving $10,000, the grand prize winner will have a meeting with Interscope executives and studio time with Zedd himself. Golden opportunities like these don’t come often, but when they do, we can assure you that some amazing remix entries will be released during the process.
Today, we’re excited to show you Crankdat’s take on the original record, ‘I Want You to Know’ by Zedd and Selena Gomez. The Ohio-based producer flips the radio-friendly track into a hard-hitting trap banger, but then switches it up with a melodic future bass drop in the second half of the production. It’s clear that this young artist has to production chops to make waves in this scene and only time will tell whether or not he’ll be able to separate him from the pack.
Bass, Electro, Future Trap, Hip-Hop, Trap | FNT Exclusive Premiere: Rick Ross – Hustlin’ (Westside Hill Remix)
Posted by FilthyTaft on June 30, 2015
20 year old producer from the westside of LA, Westside Hill is an upcoming edm trap producer that finds his roots in the mixtape sphere of the hip hop genre. His energy at the peak of a song equals that of an RL grime drop but his bass lines sound straight out of a waka flocka mixtape. This song is a dirty trap banger that you can throw on in any raging setting. Everyone knows the line “every day I’m hustlin” and everyone is ready to go dumb to a dope trap drop. Check out this song, and enjoy!
Chill, Future Trap, Hip-Hop, RnB, Throwbacks, Trap | Check Out HiFadility’s New Summer Jam, An Edit of SWV – “Weak”
Posted by BIGLIFE on June 30, 2015
Soundcloud | Tumblr | Twitter | Facebook
HiFadility released another chill edit from The Queens concept project, an edit of the 1992 SWV classic, “Weak”. After the Lauryn Hill and Queen Latifah tracks, we were interested to hear what this artist has created, so we checked it out. Everything sounds so out of the box, in a good way. In the case of this track, the juxtaposition between the synths, which sound so original and blend well with the throwback vocals, and his new electronic flip that takes place a third of the way in, takes the track to another level. This track is definitely worth the play and great for riding in cars with the windows down, another solid summer jam.
Trap | Clinton Sparks Crushes Jidenna’s “Classic Man” Record
Posted by BIGLIFE on June 30, 2015
Back from Hiatus (Oh me, oh me, oh my) Clinton Sparks has a knack for remixing songs that are future hits. Case and point: Nigerian born Jidenna’s Roman GianArthur’s assisted “Classic Man” record signed to Janelle Monae’s “Wondaland” imprint on Epic Records that’s heating up on national radio. With no class lost, Clinton Sparks takes “Classic Man” into 2015, transforming the synthy Roman GianArthur production into a vibey remix with the help of melodic chords, an all new club-ready build, and a special Clinton Sparks beatbox that aims to find its way into your essential summer playlist.