Compilation, Electro-House, Featured, Progressive House | FNT’s Top 25 Big Room & Electro Tracks of 2012

Posted by on January 9, 2013

2012 was a year of explosive growth for dance music worldwide. We have seen increasing influence from the United States in dance culture, with the “bigger is better” ethos evident in everything from sound and visual production to the massive convergence of electronic music with pop music (a charge led by top-40 radio stars like Rihanna, Chris Brown, Usher, and even Taylor Swift, who made a brief but notable foray into dubstep this year). In other words, dance music has literally and figuratively blown up. Of course, with the “mainstream-ization” of dance music comes the inevitable backlash from traditionalists who’d prefer it to remain as it was in the 80s and 90s — confined to small clubs and warehouses with little attention from the general public. This rift is notably present in the trance community, where purists who prefer the higher BPMs of the 90s and early 2000s often look down upon newer listeners who have quickly latched on to what Above & Beyond famously described as “trance 2.0.”

While there are valid arguments to be made for both sides of this growing dance music debate, at the end of the day we think you should listen to what you like, and that producers should be free to evolve artistically without fear of being branded sellouts. Of course, it is important to acknowledge and respect the long (and occasionally troubled) road that electronic music has taken to get to where it is today, just as it is undeniable that 2013 has very exciting things in store for the genre — regardless of whether you’ve been a fan for twenty years or twenty minutes.

In keeping with this theme, we bring you this list in addition to our own personal lists — a list which we think sums up the year in dance music, from the clubs to the festivals to what you played on your car speakers. We all have our own tastes, but we still must pay our respects to the EDM anthems that dominated the year. So without further adieu, a few words on how this list was decided. First and foremost, this is our list, not the definitive list from the dance music gods, so no matter how hard we try to be objective we’re sure there will be some debate. Secondly, we are talking about the biggest and best tracks of the year — so tracks that were absolutely dynamite but which failed to garner support and playtime from other DJs will not make the cut. Third, remember the genres we’re covering. No hard feelings to Sasha’s remixes of “Flutes” and “Benediction” — both crushed 2012 — but this isn’t the time or the place. We also must note that we are American, so our list will mainly represent the tracks we heard at US festivals and clubs (even though some of us spent substantial time in Europe). Finally, we must give a quick nod to all of the amazing songs that were released just before 2012 but which still had an enormous impact on the year — like Nicky Romero’s “Toulouse“, Knife Party’s “Internet Friends”, Bingo Players’ “Rattle”, Swedish House Mafia & Knife Party’s “Antidote” and the ever-enduring “Epic”. At the end of 2013, we’ll give the same acknowledgment to tracks released in December 2012, like “Easy“, “I Could Be The One“, “Like Home“, “Clash” and possibly “Rift“.

Whew. Now that we’re done with that, let’s get on to The Top 25 Big Room & Electro Tracks of 2012.

READ ON >>

Drum & Bass | Wickaman, SuddenDef & Hoodlum – Bass Rider // Hurt You

Posted by on December 28, 2012

The InfraRed record label has always been known for their top quality releases, whether it comes to Drum & Bass or Dubstep. It seems as though on their latest release they were able to combine the ingenuity of these three artist to create two monster DnB tracks.  Bassrider is the crazier of the two tracks, providing more of a darker element with its toned down buildup into the fast paced , violent drop. Hurt You has some more melodic elements added to it, but still provides the right amont of bass to get the speakers rumbling. Both tracks provide that great old school DnB vibe alongside some fresher elements.

Bandcamp:  Wickaman, SuddenDef & Hoodlum – Bass Rider // Hurt You

Progressive House | The XX – Fiction (Funkagenda Bootleg Re-Edit)

Posted by on December 26, 2012

Britain native, Funkagenda has released his much requested bootleg, remix of The XX’s “Fiction” that had originally been slated for an official release, but now is being given out as a Christmas gift by himself and his label, Funk Farm. Funkagenda is able to capture impeccably the smooth, easygoing essence of the original, notably the ethereal guitar melody and build on that with a similar synth chord progression and a slow chugging bass line.

Free Download: The XX – Fiction (Funkagenda Bootleg Re-Edit)

DO SOMETHING

Trance | Gareth Emery & Ashley Wallbridge – DUI

Posted by on December 20, 2012

As the follow up to their highly successful single “Mansion”, fellow British trance producers Gareth Emery and Ashley Wallbridge team up once more to finish out the year with “DUI”. Gareth Emery has put out some of the biggest trance tracks in the past 12 months like “Concrete Angel”, the aforementioned “Mansion”, and “Tokyo”, and “DUI” falls into that driving, uplifting style that he has espoused and become so well known for. “DUI” shines with its quick key play, fast paced bass line and big, uplifting drop aided with a powerful snare. The release on this song was delayed which is odd because it is Gareth Emery’s own label, but I guess at a certain point, those decisions are taken out of his hands..

Beatport: Gareth Emery & Ashley Wallbridge – DUI

Albums, Review | Rusko – KAPOW EP

Posted by on November 5, 2012

And thus begins Rusko’s pledge to release all of his music for free in the wake of some very public complications with Mad Decent. Kudos to the dubstep don — always something of a rabble-rouser in the electronic music community — for taking an aggressive stand and choosing to operate outside of the system. KAPOW comes on the heels of Rusko’s rather disappointing collaboration with Cypress Hill and navigates us back to more familiar territory. However, this isn’t his best effort. There’s a funky, fizzy vibe to these tracks that at times gives fresh life to those trademark glitchy womps and wobbles (“Yeah”) but at others seems unfocused and chaotic (“Booyakasha”). The latter two tracks are fresh and bouncy — he even toys with a rollicking moombah bassline on “Like This” — but lack the measure of oomph that would otherwise take this EP to the next level. (Okay, to be fair, I’m also automatically comparing this to Bassnectar’s recent Freestyle EP, and that was a brilliant mind-melt that totally blows this out of the water.) This is a 6.5/10. Possibly a 7.

Fortunately, KAPOW is free if you “pay” with a tweet/Facebook status or sign up for Rusko’s newsletter, so there’s not really any reason not to download it. And his goal of self-promoting his music without label assistance is certainly worth supporting; if he is successful, it will be a clear indication that times are officially changing.

Download Free: Rusko – KAPOW EP

Drum & Bass, Dubstep, Electronic | Monsta – Monsta EP

Posted by on October 30, 2012

OWSLA is in full force this year cranking out release after release and showing no signs of stopping. Having just released Seven Lions new EP not more than two weeks ago and now releasing Monsta’s new EP and planning on releasing Kill The Noise’s EP during the first week of November, what label is going to be able to catch up to all these gigantic releases? You have nothing out of the usual remixes from this superstar lined up squad featuring Alvin Risk, Kill Pairs, Dillon Francis, and none other than Skrillex alongside Nero. Monsta’s originals on the EP are geared more toward the electronic style rather than the heavier Dubstep and DnB remixes. The EP contains a little bit of both spectrums and is well rounded for everyone. Grab the EP off of iTunes HERE.

Hip-Hop | Skiff – Van Wilder

Posted by on October 22, 2012


In the mix of what has been labeled “Frat Rap” and has received criticism for lack of lyricism, a new artist emerges with a new sound, complimented by witty lyrics and a smooth flow. Enter; Skiff. The San Francisco native drops his 1st single out of his home at Wyclef Jean’s new label, “All Handz On Deck”. With his Hip Hop single “Van Wilder”, Skiff pretty much tells the story of the average college student, without the sugarcoating and simple lyricism.

Connect and stay posted with Skiff through his twitter, @RealSkiff