Featured, FYI | You, Me, and Avicii — The State of EDM in 2013
Posted by Spice on January 24, 2013
January 23, 2013. 12:13 p.m.
Up until five minutes ago I was having an utterly unremarkable day. In fact, had someone asked me about my day five minutes ago, I would have responded with something along the lines of, “well, you know, it’s really cold out.” Or, “I had soup for lunch.” In other words, up until five minutes ago, my day was filled with the mundane but generally inoffensive things that define the 9-to-5 hours.
But then the following tweet happened. And just like that, I became a bitter, angry person with a white-hot axe to grind against the world and everything in it:
Thank you so much for all the GREAT #aviciixyou basslines! Next up is the beat/rhythm! aviciixyou.com for more info! #networkedsociety
— Tim Bergling (@Avicii) January 23, 2013
Ugh.
For those of you who don’t follow the baby-faced Bieber of EDM, the man (boy? guy?) better known as Avicii recently launched a large scale initiative to crowdsource his next “hit single.” AVICII X YOU styles itself rather magnanimously as the first ever “global collaboration” in dance music, inviting You, The Aspiring Producer, to join forces with Tim Bergling in creating his next anthem.
Here’s how it works. You, The Aspiring Producer, dream up a melody and submit it to AVICIIXYOU.com. Then you wait on tenterhooks as everyone votes, but that’s all for show because in the end Avicii’s just going to pick his favorite. Then a bassline follows in the same manner, then percussion, then a break, and finally, on February 7th, “effects” (a truly vague delineation which I’m personally choosing to construe as more cowbell).
Thus, a song is born.
Compilation, Electro-House, Featured, Progressive House | FNT’s Top 25 Big Room & Electro Tracks of 2012
Posted by Middy on January 9, 2013
2012 was a year of explosive growth for dance music worldwide. We have seen increasing influence from the United States in dance culture, with the “bigger is better” ethos evident in everything from sound and visual production to the massive convergence of electronic music with pop music (a charge led by top-40 radio stars like Rihanna, Chris Brown, Usher, and even Taylor Swift, who made a brief but notable foray into dubstep this year). In other words, dance music has literally and figuratively blown up. Of course, with the “mainstream-ization” of dance music comes the inevitable backlash from traditionalists who’d prefer it to remain as it was in the 80s and 90s — confined to small clubs and warehouses with little attention from the general public. This rift is notably present in the trance community, where purists who prefer the higher BPMs of the 90s and early 2000s often look down upon newer listeners who have quickly latched on to what Above & Beyond famously described as “trance 2.0.”
While there are valid arguments to be made for both sides of this growing dance music debate, at the end of the day we think you should listen to what you like, and that producers should be free to evolve artistically without fear of being branded sellouts. Of course, it is important to acknowledge and respect the long (and occasionally troubled) road that electronic music has taken to get to where it is today, just as it is undeniable that 2013 has very exciting things in store for the genre — regardless of whether you’ve been a fan for twenty years or twenty minutes.
In keeping with this theme, we bring you this list in addition to our own personal lists — a list which we think sums up the year in dance music, from the clubs to the festivals to what you played on your car speakers. We all have our own tastes, but we still must pay our respects to the EDM anthems that dominated the year. So without further adieu, a few words on how this list was decided. First and foremost, this is our list, not the definitive list from the dance music gods, so no matter how hard we try to be objective we’re sure there will be some debate. Secondly, we are talking about the biggest and best tracks of the year — so tracks that were absolutely dynamite but which failed to garner support and playtime from other DJs will not make the cut. Third, remember the genres we’re covering. No hard feelings to Sasha’s remixes of “Flutes” and “Benediction” — both crushed 2012 — but this isn’t the time or the place. We also must note that we are American, so our list will mainly represent the tracks we heard at US festivals and clubs (even though some of us spent substantial time in Europe). Finally, we must give a quick nod to all of the amazing songs that were released just before 2012 but which still had an enormous impact on the year — like Nicky Romero’s “Toulouse“, Knife Party’s “Internet Friends”, Bingo Players’ “Rattle”, Swedish House Mafia & Knife Party’s “Antidote” and the ever-enduring “Epic”. At the end of 2013, we’ll give the same acknowledgment to tracks released in December 2012, like “Easy“, “I Could Be The One“, “Like Home“, “Clash” and possibly “Rift“.
Whew. Now that we’re done with that, let’s get on to The Top 25 Big Room & Electro Tracks of 2012.
Progressive House | Avicii vs Nicky Romero – I Could Be One
Posted by Middy on December 29, 2012
You know the song by now. The naming saga is about as long as the time it took to get released. It was first premiered by Avicii back in November of last year at the DC Armory and was given the fan name “Fuck School”. After a little while it was given the official name “Nicktim”, a clever combination of both producer’s names. When the vocals were added the track was at last given its final name “I Could Be The One”. I was down on the slightly autotuned vocals at first, but they have slowly grown on me. The track has lost some of the original star power it had when it was first premiered, but the quality is still there and will remain a big, highly played track throughout winter. It also comes with a few remixes and the instrumental mix for those who can’t stand the vocals. I had high hopes for the Audrio, formerly known as Adstedt, as his remix seems to lack the same power that his upcoming track “Humans” has, though it does have the same grungy, acid style. Didrick, a rather mysterious person because as of this writing joined Facebook not 19 hours ago, adds a grinding low end and adds more distortion to the melody and the vocals. The video is rather hilarious as well.
Beatport: Avicii vs Nicky Romero – I Could Be One
Bootleg | Kap Slap – Raging Silhouettes (ft. Avicii, Ralvero)
Posted by Juicebox on November 14, 2012
Kap Slap is back this week with a euphoric bootleg that seamlessly flow together all too well. The track transitions to the uplifting melodies from none other than Avicii, straight into the heavy synths from Ralvero overall creating quite the bootleg. WIth “Raging Silhouettes” being the 5th installment of Kap Slap’s releases, expect the official mixtape release in the next couple of weeks. Incase you missed last week’s release, make sure you check it out below.
Events, Indie | Austin City Limits: A Foolproof Guide
Posted by mimada on October 12, 2012
This weekend, Fresh New Tracks will get back in touch with its indie side at the 11th edition of the Austin City Limits Music Festival. ACL primarily focuses on folk and indie music, but this year’s much-talked about lineup features icons from every generation and genre, including Red Hot Chili Peppers, Neil Young and Crazy Horse, Avicii, The Black Keys, BASSNECTAR, Alabama Shakes, and more. The three-day festival, showcasing over 130 bands at eight different stages, will be a significantly more laidback atmosphere in comparison to the earlier 2012 festival season, but after some of the outrageous, mind-blowing shows we’ve seen this year, this might be exactly what we need.
Electro | Kap Slap – Two Million Atoms Raging (ft. Avicii, Knife Party, Ryan Tedder)
Posted by Juicebox on October 10, 2012
Just in time for the Halloween, the one day holiday we use as an excuse for a month long of partying, Kap Slap has dropped the first single off his tremendously successful Back to School Mix. The track features a nice blend of genres that accumulate to create a much heavier bootleg than usual from Kap Slap. The visuals to go with the track are almost even better than the song itself…regardless, the track is ridiculous and a must have.
Albums | Is this the future of EDM events?
Posted by BIGLIFE on September 26, 2012
“Fantazia 360” by NV Concepts (explained in the video above) ventures outside the norm by incorporating a theatrical experience into its show. The goal behind their movement is obvious; to supplement the monotonous stage productions seen elsewhere and start a new breed of EDM events. Will Fantazia 360 set a new precedent? Will Tiesto, Avicii, Dada Life, etc start to feature the likes of acrobats and fire breathers? I think NV Concepts is moving in the right direction by trying to add more performance value to shows so I’d like to see this progression come to fruition. However, I’m weary that the unauthentic party goers of our time will continue to settle for less.
If you’re as curious as I am about Fantazia 360, purchase tickets for their shows in NY, PA, MA – HERE.
Springfield, MA: 10.18.12
Philadelphia, PA: 11.03.12
Syracuse, NY: 11.8.12
Niagra Falls, NY: 11.09.12
Albany, NY: 11.10.12