Bass, Chill | Porter Robinson – sad machine (juuku flip)
Posted by VMan on February 29, 2020
The more content (both audio and video) I get out of this juuku project, the more I am excited about it’s future. The countless remixes and original stand the test of time among other up-and-coming acts and really sets this project aside. If you are into emotionally-infused glitched out future bass look no further. Tune into juuku’s “Sad Machine” flip above!
Bass, House | FURO’s “Lock & Load” An Energetic Force Not To Be Recokoned With
Posted by VMan on February 23, 2020
Dancehall vocals and Caribbean flavor wash together in Furo’s bittersweet “Lock & Load,” as in single that carries a wide variety of mood all within a well fitting, heavy house experience. “Lock & Load” features a house core, with the drop slapping with a special vengeance, properly coming off a amplified build up that surges a rush within the listener.
Born in Guyana and raised in Anguilla, the now New-Jersey based artist cultured-upbringing is playing right into his strongpoints of his artist career. Even though the soloist is about 2 years outside his ‘bedroom producer’ phase, he’s caught the ear of acts such as Diplo, DJ Snake, Walshy Fire, Henry Fong, Laidback Luke and more.
Furo has nailed a number of diverse accolades in a short amount of time, a great sign for a young, budding artist.
Bass | “1 On 1” Gets Hell-Raising Remix From Miami-Based MADRECKLESS
Posted by VMan on February 23, 2020
Releases on Disciple, tours dates in most months of 2019, and plenty of DJ support is a bit of makes up MADRECKLESS uniqueness constantly being recognized. “1 On 1,” which was taken on, flipped, and intersected with the artists’ truculent’ bass style. Well-timed pounding and outrageously appropriate bass chops enlighten the original work laid down by MADRECKLESS.
With releases going back as far at 2017, the Miami-based artists maturely and production evolution can be heard through his discography, the DJ now primed for big things in 2020.
Exicision has since teased another flip of MADRECKLESS, this time his work “Lockdown” receiving the love. The single isn’t out yet, but given the slight reveal and the channels it’s being heard on, don’t sleep on the guy another night.
Bass | JACKNIFE Goes For Blood in “Fear” [via Bladed Black]
Posted by VMan on February 21, 2020
A sonic display of all we know and love from the Aussie artist, JACKNIFE returns for a sinister “Fear.” Combining his bass and G-House efforts, JACKNIFE creates a truly wicked display of technical work.
Music as a career goes far beyond hobby and passion for this young producer. JACKNIFE’s music reflects dedication and commitment through its destructive live delivery. 2019 was a busy year, opening with an EP on The Prescription // Insomniac Records, followed by official remixes for MALAA (“Addiction,” CONFESSION Label) Dirty Audio (“West Coast,” Thrive Music) Matroda, “What Happened?” & ATLIENS, “F*ck That” (BASSRUSH), and singles with DIM MAK and Pinnacle Collective. The chaos really began with MALAA x JACKNIFE present “Revolt,” a mid-tempo house heater that raised hell in the neighborhood. JACKNIFE wrapped up the year with his first Witch Craft package, at the same time launching his own imprint under Pinnacle Music, Bladed Black Records.
Bass, Chill | Módl’s “Clementine” gets flipped upside down by juuku
Posted by VMan on February 11, 2020
Modl’s sappy top line is the perfect vocal to merge together alongside Juuku’s gritty yet emotional production style. Out now via Suicide Sheep’s recently started record label Found/Red, Juuku has touched up and dropped his first ever official remix. Taking on “Clementine” by Modl, he gives it an ultimate face lift. Watch the spacey self-made animated visual above and I’d place your bets on this Juuku guy, with drops as consistent and well done as his output, 2020 is looking as bright as ever.
Bass, House | Matroda Releases G-House Infused “Jack The House” Ahead Of EP
Posted by VMan on February 5, 2020
“Jack The House” highlights more than just a song with a serious catchy aesthetic built in, but a mood and vibe and that signals to many some new, fresh, gritty, and easy to dance to. The single comes off Matroda’s upcoming EP and is the very first single to be release on Matroda’s new label Terminal Underground.’
Few acts have made such an imprint on modern genres such as G-house and bass-house like this solo act has, having releases on Dim Mak, Mad Decent, and Confession showcasing this very range of sound, it’s no surprise that has he has surpassed well over 700K monthly listeners on Spotify alone and extensive tour dates is no issue to secure. Matroda is a force to be reckoned with on a global scale.
Bass | AYOO Shares Explosive Party Sound In Rico Act Collaboration “Freak Out”
Posted by VMan on February 3, 2020
AYOO’s “Freak Out,” featuring Rico Act, highlights some of what makes the group a captivating movement coming out of the heartland. The single is not for the faint of heart, genre changes, hard percussion samples, and an energetic propulsion make up much of the fun properties here. Imagining this in a party setting is easy and that’s no accident.
The taco-craving brothers have been loving and involved in music since childhood. Feeding off each other creativily, the two compound their wit and hunger to push the brand forward. With music and a identity that pull’s in new things to makes a bigger unique experience is apart of what makes AYOO great.