Events, Review | Afrojack, Diplo & Rusko invade Pier 94 For A Pre-New Years Party To Remember

Posted by on January 7, 2013

Accompanied by Sazon Booya, Leroy Styles & Bobby Burns, Afrojack, Diplo & Rusko came down on Pier 94 in New York City on the eve of New Years Eve with a vengeance, displaying a wide variety of different styles and genres across this outstanding lineup. The venue was also playing host to Afrojack’s Jacked NYE party the following night, which went off with a bang, but no expense was spared or production lost on this night with 3 stars taking the stage. While it may have been the night before the biggest party night of the year and one might expect people to spend the night gearing up for NYE, but that did not stop the thousands of concert goers from seeing Diplo, Afrojack, & Rusko put on a clinic at Pier 94 well into the early morning. Leroy Styles & Sazon Booya got things started as the crowd started to file in at the 8pm, mixing in a steady pace of moombah and electro, keeping the growing swell of people moving and getting them warmed up for the main acts about to grace the decks.

READ ON >>

Electro-House | Keane – Sovereign Light Café (Afrojack Remix)

Posted by on December 24, 2012

With Alesso remixing Keane’s very successful single “Silenced By The Night” to rave reviews, it was only a matter of time before another big name producer got their hands on a Keane track and made it their own. Afrojack slowly builds with a slow easy piano and the outstanding vocals from lead singer Tom Chaplin and then adds a blistering drop of pitched synths and a fast moving bass line. On the heals of his chart topping single “Annie’s Theme” and his upcoming remix for one billion youtube views “Gangnam Style”, as well as hosting a huge Jacked event on Pier 94 to ring in the New Year, Afrojack is continuing to assert his worldwide dominance on dance music.

Beatport: Keane – Sovereign Light Café (Afrojack Remix)

Electro-House | Afrojack – Annie’s Theme

Posted by on November 5, 2012

While some may not like the bleeps and bloops of this track, this brings us back to Afrojack’s productions reminiscent of “Replica” and “Doing It Right”. It may not have the same flare of some of those older tracks that helped catapult him to the superstar status that he now basks in, but the onslaught of bleeps and fine tuned synth play brings us back to Afrojack’s dutch productions of old and may hold the key for what is in store for the future.

Beatport: Afrojack – Annie’s Theme

DO SOMETHING

Electro-House | will.i.am ft. Eva Simons – This Is Love (Afrojack Remix)

Posted by on August 7, 2012

The Steve Angello produced single “This is Love” from will.i.am and Eva Simons was bound to have to have some heavy hitters come to the rescue and elevate it to its full potential. The original was a pop song through and through and served its purpose as a radio friendly song, but that is not Steve Angello’s calling card. Afrojack brings his heavy dutch / electro style to the track, mixing flawlessly high pitched dutch bleeps and grungy electro stabs. Coming off of hit track “Rock The House“, Afrojack is showing that despite unleashing the monster that is Paris Hilton onto the dance music world, his legacy will remain unblemished due to his prolific output of great productions. Also check out the James Egbert remix that takes a more complextro spin with big room interludes.

Beatport: will.i.am ft. Eva Simons – This Is Love (Remixes)

Electro-House | Afrojack – Rock The House

Posted by on July 16, 2012

Afrojack did not only drop jaws at UMF when he played “Top Of The World” for the first time, he also put them back down on the floor when he premiered this track with Lil John yelling all over the place, telling you just how special it was to avoid rips of the track. Afrojack has risen to the level of a global superstar, occasionally crossing over into pop and doing songs with pop superstars in the US, while remaining true to his Dutch style and still cranking out those bleeps and bloops that caused people to fall in love with him in the first place. The guitar melody, combined with the massive, big room chord progression provide the perfect build into the hard electro / dutch drop that will Rock Your House and your neighbor’s as well. He also shows off his creativity and production skill with an interesting percussion and piano interlude providing a whole array of styles all within the one song. Another fantastic production from Afrojack and as they say, “If it ain’t Dutch, it ain’t much”.

Beatport: Afrojack – Rock The House

Preview, Progressive House | Dada Life — Kick Out The Epic Motherf**cker (Otto Knows Remix Preview)

Posted by on June 21, 2012

Dada Life is clearly about to drop an absolutely massive remix package for the already massive “Kick Out the Epic Motherf**ker.” First Datsik brought the womps, and now Otto Knows is bringing the chords. He puts a completely different spin on the driving, almost relentless theme of the original by layering in big, dissonant swells that rise and fall beneath the vocals. The result is a track with an utterly fresh tone and vibe — I can’t wait to hear this one in full.

Disclaimer: listen to this preview at your own risk. The build is prolonged and and torturous and the clip cuts out at the precise moment of the drop. Reminds me of a certain video I had the misfortune to take at an Afrojack show last month…let’s just say that Sev still hasn’t recovered.

House | Avicii – Two Million (Original Mix)

Posted by on May 30, 2012

I’m barely into my coffee and we’ve already got a new track from Avicii? Wow, well I can certainly think of worse ways to start the morning. Wasting no time after yesterday’s release (which Sev is already touting as his favorite Avicii song…ever), Sweden’s plaid-loving golden boy brings us the aptly titled “Two Million” to commemorate the significant milestone of hitting two million fans on Facebook. This is something different — it’s a stripped down, high energy house track with a darker edge than we’re used to seeing from Mr. Bergling. The deceptive simplicity, synthy pitch builds, and driving four-on-the-floor bassline give it a vaguely Afrojack-esque vibe that I’m totally feeling. Congratulations, Avicii! Here’s to the next two million.