Electro | Garvin’s Doggz’ Funk EP Marks a Stylish Evolution in House and Tech
Posted by VMan on July 18, 2025
Garvin’s Doggz’ Funk EP, released by Get Busy Records, presents a confident expression of his musical direction. The two-track project features funk-driven rhythms and thoughtful production, reflecting his commitment to quality and consistency. Tracks like the title song and “The Underground” are designed to resonate in both club settings and attentive listening environments.
With previous releases on labels such as Mr. Nice Guy, Higher Viibrations, and Wet Signal, Garvin has built a respected career. His upcoming projects on Psicodelica and Jack City Records indicate a continuing upward path. Beyond production, his leadership in DRESDÔN Events and the soon-to-launch DRESDÔN Records highlights his dedication to the broader music community.
Garvin’s DJ sets, characterized by vinyl-era technique and focus on pacing, underscore his professional approach. Supporting well-known artists and maintaining a steady release schedule, Garvin solidifies his role as a key figure in contemporary house music.
Electronic | Garvin Builds Forward Momentum with New Single “Party At The Ritz”
Posted by VMan on June 23, 2025
Garvin’s “Party At The Ritz,” released via Mr. Nice Guy Records, is built with purpose and love. The production stays sparse—tight drum sequencing, a looping organ riff, and subtle low-end pressure. The track holds its shape without lifting, dipping, or altering course. Garvin pulls in a specific intention with the production design bigtime here.. There are no synth pads, vocal cuts, or atmospheric effects layered in. Each part contributes to the rhythm system, rather than the topline. The tweaks with the mechanics play out as a positive when the track gets rolling, from start to finish to energy hits.
Upcoming releases on labels including Get Busy, Psicodelica, and Jack City suggest Garvin is building a catalog defined by function. Each track holds to a minimal architecture—designed to stand out in all the right ways. One thing is for sure, Garvin is making all the right moves.
That framework matches Garvin’s broader work through DRESDÔN, now evolving from an event series into a record label. “Party At The Ritz” fits that framework exactly—quietly reliable, fully usable, and free of unnecessary detail.