Cover, Pop | CJ Holland Covers Walk The Moon’s “Shut Up And Dance”

Posted by on April 24, 2015

I’ve been really impressed by the way CJ Holland has kept this cover series fresh and compelling. This week he covers another song on the rise, Walk The Moon’s “Shut Up And Dance”—a record truly emblematic of pop radio today with its dense, up-tempo, formulaic production and heavily-processed sound. CJ, joined by frequent collaborator One Love, has given it new life before listeners even knew it was necessary. CJ’s vocal here is as smooth as it has been anywhere, and paired alongside the vocals of Nick Petricca it’s even more clear that CJ has a great texture to his voice and overall style.

One Love again provides the perfect supplement, never commanding the attention, but always helping the vocalist thrive. He’s a master of different styles, and has been able to create interpolations of big beats that are equally catchy, but have a new flair about them. His riff on the original here has a subtle melodicism to it fueled by synth pads, but it never sounds over-produced or solely slated for club speakers. He’s stripped away just enough layers to find a vibe for the song that is equally fitting, if not even more so.

Cover, Pop | CJ Holland Covers Jason Derulo’s “Want To Want Me”

Posted by on March 19, 2015

CJ Holland is back with his latest cover as part of his new #CJWEEKLY series, and it’s the most fully articulated display of his sound and aesthetic that we’ve gotten thus far, for sure. While the cover game isn’t kind to many, and has lost some of its charm as a whole due to congestion in the form, CJ has found a way to extend his releases beyond karaoke; his influences and style here are clearly in effect, and One Love’s original production, too, adds a new flavor to the track is a definite help to his cause.

Derulo’s “Want To Want Me” was last week’s most added song to radio, so here’s where song choice comes into effect. His last cover was of “Tuesday,” a song that really was on its way out of radio, so while his unique approach to it still made it compelling, it wasn’t able to capitalize on the song’s catchiness since the melody’s interest had all but faded. Here, though, CJ makes his mark on a song that he knew was bound to be successful, and yet hasn’t already been engrained in its listeners in a particular way. Cover artists take notice.