Albums, Electronic | Not Yurs Push Kay Wagner’s “Can’t Sleep” Into Acid Territory with Dystopian Club Rework
Posted by VMan on May 15, 2025
Not Yurs deliver a remix of Kay Wagner’s “Can’t Sleep” that reshapes the track into something leaner and more intentional. The original’s ambient layering is dialed back in favor of a tightly structured, acid-forward progression that builds pressure across its runtime without relying on obvious peaks.
The low-end holds steady throughout, sitting just above sub pressure while allowing the kick and acid sequences to stay clear. The vocals are edited minimally—processed with subtle delay, then placed in a way that adds tension without overstating their role.
There are no dramatic tempo shifts. The groove is locked early and maintained. Synth elements enter with restraint, and the filter movements are gradual. This approach mirrors Not Yurs’ broader aesthetic: controlled, dry, and optimized for rooms where sound carries more than light.
Their previous work has found support on platforms like The Lot Radio and warehouse systems across the U.S. This remix continues that pattern—it’s system-conscious, practical, and designed for working DJs.
Albums | Rol3ert Releases video and single for “HOPE”
Posted by VMan on May 13, 2025
Meet Rol3ert—the 19-year-old Japanese artist making waves on a global scale by rewriting what modern J-pop can sound like. His latest single, “HOPE,” is a genre-defying release that confirms his place among a new generation of emotionally driven innovators.
On “HOPE,” Rol3ert draws inspiration from genre-benders like The 1975 and keshi, delivering a sound that is equal parts tender and towering. The track’s production leans into retro 8-beat rhythms that echo the spirit of the ’80s, while still feeling unmistakably modern. It’s in the subtlety that Rol3ert shines—his voice rising from a hushed whisper to passionate crescendo, giving weight to lyrics about the uncertainty of love, the fragility of trust, and lingering regrets.
The music video is just as compelling: Rol3ert, riding through rural roads on the back of a pickup, later performing in open fields as the sunlight fades. It’s the perfect visual metaphor for the song’s journey—quietly dramatic, beautifully solitary, and full of yearning.
After the viral impact of “meaning” and its international remix contest hosted via SURF MUSIC, Rol3ert has quickly gained traction outside Japan. The winning remix from KIDCOZY brought new ears to his already-expanding fanbase, and with “HOPE” now trending across Instagram and TikTok, it’s clear that this is an artist people are ready to follow across genres and borders.
Only three tracks in, and Rol3ert is already signaling a global pop future built on vulnerability, style, and emotional storytelling. If “HOPE” is any indication of what’s next, this is just the beginning.
Albums | TaReef KnockOut drops new single with video for “BABYLON”
Posted by VMan on May 9, 2025
Florida’s own TaReef KnockOut delivers “BABYLON”, a fiery new single and video born out of Tampa pride and lyrical ambition. A strong reminder he’s not just in the conversation, he’s coming for the spotlight. When asked about the song’s inspiration he said “BABYLON was born out of inspiration. After hearing Doechii’s Grammy acceptance speech where she shouted out Tampa and called on labels to pay attention to the city, it felt like she was speaking directly to me—even though we’ve never met. That moment truly inspired me. Babylon is my response, my statement, and my way of saying: I’m here, and I’m ready. I just need the opportunity—and when it comes, I promise to make the most of it.?” Check out the music video for “BABYLON” above now and keep TaReef KnockOut on your radar!
Albums | The Basement Party Ride a Gritty, Reverb-Drenched Wave with ‘High Tide Era’
Posted by VMan on May 5, 2025
The Basement Party return with “High Tide Era,” a brisk, riff-forward single that leans confidently into their surf-skate punk identity. The trio waste no time getting to the point: driving guitars, thick low-end, and tight percussion all snap into place as the track barrels forward. Released independently, it marks the beginning of a new rollout that points toward their debut full-length album arriving this summer.
There’s a sharper edge to “High Tide Era” compared to their 2023 EP My Human Condition and single “Don’t Look Back.” It sounds like a band with a clearer head and a firmer grip on what they want to say – and how they want to hit. No gloss, no over-polished corners. Just dialed in and turning up the volume on a sound they’ve already made their own.
Formed in 2023 and rooted in Chicago, The Basement Party fuse reverb-laced surf guitar work with the bruising energy of old-school skate punk. Think of them as a handshake between Dick Dale and Suicidal Tendencies, delivered with the enthusiasm of three guys who treat every basement show like it’s the last one before summer ends.
They’ve been building momentum throughout the Midwest circuit, tightening their live set with more and more gigs. With that said, “High Tide Era” is the single that locks it all together.
With more releases and shows lined up throughout 2025, The Basement Party are making their moment one step at a time.
Albums, News | Devika & Michael Brook Weave Global and Personal Threads into ‘Wisteria’
Posted by VMan on April 15, 2025
Singer-songwriter Devika has released her latest single “Wisteria,” a Punjabi-language ballad created in collaboration with Grammy-nominated composer and producer Michael Brook. The single pairs Devika’s melodic vocal phrasing with Brook’s refined production, delivering a polished, emotionally restrained piece that merges South Asian influence with global ambient sensibilities.
The track is written entirely in Punjabi and centers on themes of longing and unresolved emotion. Michael Brook, known for his work with Nusrat Fateh Ali Khan on Night Song and contributions to film scores including Into The Wild and Brooklyn, brings his signature minimalist aesthetic to the production. Devika, recognized for her vocal work and previous collaborations with Bohemia, Holmes Ives, and Amaan & Ayaan Ali Bangash, approaches the single with precision and tonal control.
“Wisteria” was developed as a studio collaboration between the San Francisco-based Devika and Brook, whose past output has received acclaim from outlets such as The Guardian and The New York Times. Speaking on the creative process, Devika stated, “Night Song is one of my all-time favorite albums. This collaboration was about creating something lasting.” Brook added, “Working with Devika reminded me how rewarding a true musical exchange can be.”
The single arrives alongside plans for submission in the Best Global Music Performance category for Grammy consideration. It follows Devika’s past placements on playlists such as The A-List: Indian Pop and compilation appearances on Buddha Bar XXIII.
Check out the song above.
Albums | “Fall into Me” Proves Juuku Evolution Is Imminent
Posted by VMan on April 9, 2025
Juuku is back with new music via “Fall into Me” and it’s magical. The production is cinematic and layered, with shimmering synths, intricate drops, and textures that pulse with feeling. It’s a track born from struggle, from self-discovery, and from the decision to change perspective—juuku literally flipped his creative process upside down, and “fall into me” is the breathtaking result. With an anime project also on the way, it’s clear that juuku is in a new chapter of storytelling—one where music, visuals, and narrative all work in harmony. And if “Fall into Me” is any indication, this next phase is going to be one of his most impactful yet. Tune in above now!
Albums | Fredrik Norlindh releases “Can’t You See Me”
Posted by VMan on April 2, 2025
Swedish singer-songwriter, producer, and multi-instrumentalist Fredrik Norlindh is back with his latest single, “Can’t You See Me,” an emotionally charged synth-pop track that seamlessly blends retro-futuristic textures with dynamic storytelling. Serving as the first glimpse into his upcoming album, Contrasting Notes, the song was recorded at Stockholm’s legendary Soundtrade Studios, where icons like ABBA once shaped their timeless hits.
“Can’t You See Me” masterfully balances melancholy with rhythm, delivering a mid-tempo pulse that gradually builds in intensity. The track’s lush vocal harmonies channel Norlindh’s Scandinavian pop heritage, echoing the influence of ABBA, while the sleek electronic production bears traces of The Weeknd and Daft Punk. Layered with live drums, warm basslines, and intricate melodic textures, the song immerses listeners in a hypnotic, reflective atmosphere.