Albums, News | Devika & Michael Brook Weave Global and Personal Threads into ‘Wisteria’
Posted by VMan on April 15, 2025
Singer-songwriter Devika has released her latest single “Wisteria,” a Punjabi-language ballad created in collaboration with Grammy-nominated composer and producer Michael Brook. The single pairs Devika’s melodic vocal phrasing with Brook’s refined production, delivering a polished, emotionally restrained piece that merges South Asian influence with global ambient sensibilities.
The track is written entirely in Punjabi and centers on themes of longing and unresolved emotion. Michael Brook, known for his work with Nusrat Fateh Ali Khan on Night Song and contributions to film scores including Into The Wild and Brooklyn, brings his signature minimalist aesthetic to the production. Devika, recognized for her vocal work and previous collaborations with Bohemia, Holmes Ives, and Amaan & Ayaan Ali Bangash, approaches the single with precision and tonal control.
“Wisteria” was developed as a studio collaboration between the San Francisco-based Devika and Brook, whose past output has received acclaim from outlets such as The Guardian and The New York Times. Speaking on the creative process, Devika stated, “Night Song is one of my all-time favorite albums. This collaboration was about creating something lasting.” Brook added, “Working with Devika reminded me how rewarding a true musical exchange can be.”
The single arrives alongside plans for submission in the Best Global Music Performance category for Grammy consideration. It follows Devika’s past placements on playlists such as The A-List: Indian Pop and compilation appearances on Buddha Bar XXIII.
Check out the song above.
Albums | “Fall into Me” Proves Juuku Evolution Is Imminent
Posted by VMan on April 9, 2025
Juuku is back with new music via “Fall into Me” and it’s magical. The production is cinematic and layered, with shimmering synths, intricate drops, and textures that pulse with feeling. It’s a track born from struggle, from self-discovery, and from the decision to change perspective—juuku literally flipped his creative process upside down, and “fall into me” is the breathtaking result. With an anime project also on the way, it’s clear that juuku is in a new chapter of storytelling—one where music, visuals, and narrative all work in harmony. And if “Fall into Me” is any indication, this next phase is going to be one of his most impactful yet. Tune in above now!
Albums | Fredrik Norlindh releases “Can’t You See Me”
Posted by VMan on April 2, 2025
Swedish singer-songwriter, producer, and multi-instrumentalist Fredrik Norlindh is back with his latest single, “Can’t You See Me,” an emotionally charged synth-pop track that seamlessly blends retro-futuristic textures with dynamic storytelling. Serving as the first glimpse into his upcoming album, Contrasting Notes, the song was recorded at Stockholm’s legendary Soundtrade Studios, where icons like ABBA once shaped their timeless hits.
“Can’t You See Me” masterfully balances melancholy with rhythm, delivering a mid-tempo pulse that gradually builds in intensity. The track’s lush vocal harmonies channel Norlindh’s Scandinavian pop heritage, echoing the influence of ABBA, while the sleek electronic production bears traces of The Weeknd and Daft Punk. Layered with live drums, warm basslines, and intricate melodic textures, the song immerses listeners in a hypnotic, reflective atmosphere.
Albums | KIDCOZY elegantly remixes “meanng” by Rol3ert
Posted by VMan on April 2, 2025
Japanese artist Rol3ert (pronounced “Robert”) is proving to be a breakout talent at just 19 years old. His latest single, “meaning,” has already made waves, amassing over 400,000 views on YouTube since its January 2025 release. But the track’s reach has expanded even further thanks to the “meaning Remix Contest” hosted on SURF MUSIC, a global platform connecting 36,000 creators.
Out of thousands of entries, the winning remix by unknown Vietnamese producer KIDCOZY stands out as a masterful reimagination of the track. KIDCOZY retains the essence of Rol3ert’s original but infuses it with his signature style, elevating the song’s emotional weight and sonic depth.
Albums | Ultra Music Festival 2025: David Guetta and Sia join Afrojack, Skrillex returns, world debut of Anyma b2b Solomun & more
Posted by VMan on April 1, 2025
Ultra Music Festivalconcluded its sold-out 25th anniversary celebration at Bayfront Park – a legacy defining weekend from Friday, March 28 – Sunday, March 30 that paid homage to the festival’s iconic history while further cementing Ultra as the World’s Premier Electronic Music Festival.
Over three days, the festival welcomed 165,000 attendees from more than 100 countries. Ultra continued its celebrated tradition of broadcasting to millions of Ultranauts around the world with the #ULTRALIVE stream. #ULTRALIVE featured a stacked schedule of performances from multiple stages throughout the weekend, in addition to exclusive curated content like artist and fan interviews. The RESISTANCE Megastructure and The Cove also hosted their own dedicated streams across all three days, welcoming underground music stalwarts to bask in uninterrupted house and techno tuneage.
Other Friday highlights include Everything Always – the collaborative project between John Summit and Dom Dolla – closing down the Main Stage for the duo’s Ultra debut; Subtronics bringing his bass-heavy sound to the Ultra Main Stage for a daylight headlining set; and Ultra veterans Tiëstoand Alesso pulling devoted fans’ nostalgia strings with headlining Main Stage sets filled to the brim with their classic tracks. The two dance music legends also came with special surprises, with Tiësto premiering a new collaboration with Odd Moband Alesso bringing out iconic vocalist Nadia Ali for a guest appearance.
RESISTANCE – ULTRA Worldwide’s esteemed house and techno brand – featured a weekend full of electrifying underground performances, including Charlotte De Witte’s Friday closing set at the RESISTANCE Megastructure, which followed jaw-dropping sets from Boris Brejcha, ARTBAT, and Miss Monique. At the RESISTANCE Cove Stage, Eli Brown performed a widely heralded, two-hour house and techno bonanza for his Friday closing headlining set.
Meanwhile, over on the Worldwide Stage’s Friday programming (which featured A State Of Trance takeover),Armin van Buuren played two of his three Ultra 2025 headlining sets – one solo set before an epic b3b with Maddixand Oliver Heldens. At the Live Stage, Zeds Dead shut down Friday night with the Ultra debut of their ‘Return To The Spectrum Of Intergalactic Happiness’ set, which followed Pendlum’s first live set at Ultra since 2022 and performances from Chase & Status and Nero.
The UMF Radio Stage had a monumental opening day as well, with Australia’s freewheeling underground maverickPartiboi69bringing his extraterrestrial event series ‘Area 69’ to Ultra for the very first time. The Partiiboi69-curated takeover featuring debut festival performances from Ketboi69 (Partiboi69 x KETTAMA), Partiboi69 b2b Juicy Romance, and Skream b2b Interplanetary Criminal, Ahadaream, and more.
Albums | Dandy and Ramraz Confront the Past with Haunting Honesty on “Couldn’t Make a Sound”
Posted by VMan on April 1, 2025
Dandy and Ramraz are no strangers to pushing sonic and emotional boundaries, but “Couldn’t Make a Sound” might be their most poignant release yet. A fusion of garage beats, ethereal synths, and deeply confessional lyricism, the track is as moving as it is hypnotic. The Israeli duo masterfully balance vulnerability with groove, proving that even the heaviest emotions can find a home on the dancefloor.
The song unravels a story of pain and repression, with Dandy’s lyrics painting a picture of silent suffering. “You gave me no place to choose if I wanna lose myself again,” they sing, capturing the helplessness of past trauma. The weight of these words is carried by a production style that feels both intimate and expansive—Ramraz layers crisp percussion with warm, nostalgic chords, creating a contrast between urgency and melancholy. It’s a track that pulses with emotion, yet refuses to be consumed by it.
What makes “Couldn’t Make a Sound” so gripping is its duality. The melody is soft yet commanding, the beat propulsive yet haunting. There’s an undeniable catharsis in the way the song moves—like an exhale after years of holding it all in. It’s the kind of track that lingers long after it ends, leaving listeners with both sonic satisfaction and something to reflect on. As Dandy and Ramraz gear up for their upcoming EP, this single sets a powerful precedent for what’s to come.
Albums | Luwidakid Sets the Stage Ablaze with “True Colors” — A Fusion of Afrobeats & Hip-Hop
Posted by VMan on March 27, 2025
Pittsburgh-based artist Luwidakid is back with a bang, dropping his latest single, “True Colors” — a vibrant blend of Afrobeats and Hip-Hop that promises to set dance floors on fire. Known for his signature genre fusion, which he dubs “afro-jig,” Luwidakid continues to push musical boundaries with infectious rhythms, sharp lyricism, and undeniable charisma.
Born in Cameroon and raised in Northern Virginia, Luwidakid’s sound is a melting pot of influences. Drawing inspiration from icons like Bob Marley, P-Square, Kid Cudi, and Kendrick Lamar, he’s crafted a style that feels both globally inspired and deeply personal. After moving to Pittsburgh to attend the University of Pittsburgh, Luwidakid immersed himself in the city’s music scene, building a loyal following with his dynamic live performances and genre-bending tracks.
“True Colors” is the ultimate party anthem — bursting with lively percussion, catchy melodies, and an undeniable groove. The track was born last summer when Luwidakid’s friend Curley tagged him in an Instagram post featuring the beat. Instantly inspired, he penned the lyrics, determined to showcase not only his ability to craft feel-good bangers but also his sharp lyrical prowess.
“Once Curley sent me the beat, the flow just started playing in my head. I wanted to show my rap ability, so I made sure my verses were lyrically tight. When I recorded it at Nightfall Studio, everyone who heard it was blown away — the song just feels so good,” Luwidakid shares.