Albums | TaReef KnockOut drops new single with video for “BABYLON”
Posted by VMan on May 9, 2025
Florida’s own TaReef KnockOut delivers “BABYLON”, a fiery new single and video born out of Tampa pride and lyrical ambition. A strong reminder he’s not just in the conversation, he’s coming for the spotlight. When asked about the song’s inspiration he said “BABYLON was born out of inspiration. After hearing Doechii’s Grammy acceptance speech where she shouted out Tampa and called on labels to pay attention to the city, it felt like she was speaking directly to me—even though we’ve never met. That moment truly inspired me. Babylon is my response, my statement, and my way of saying: I’m here, and I’m ready. I just need the opportunity—and when it comes, I promise to make the most of it.?” Check out the music video for “BABYLON” above now and keep TaReef KnockOut on your radar!
Chill | “Calling” Finds TWO LANES in Quiet Motion, Expanding Their Organic-Electronic Universe
Posted by VMan on May 7, 2025
“Calling” comes at the listener with a calming presence. It arrives softly, humming with reverb and restraint with each tone placed like a step into calm water. TWO LANES build a soundscape that is truly them while speaking for itself as a individual track. The May 2 release is the first offering from their next EP and hints at a deeper exploration of their hybrid sound.
From the first notes, there’s a tactile stillness, creating a unique environment before the details fall into place. Felt piano rests underneath, analogue synths glide above, and string textures hover like mist.
Brothers Leo and Rafa very much go their own path when it comes to their sound – it’s paid off. With half a billion streams and a dedicated global following, TWO LANES continue to prove that staying true to your palette—however understated—can be the best choice of all.
Albums | The Basement Party Ride a Gritty, Reverb-Drenched Wave with ‘High Tide Era’
Posted by VMan on May 5, 2025
The Basement Party return with “High Tide Era,” a brisk, riff-forward single that leans confidently into their surf-skate punk identity. The trio waste no time getting to the point: driving guitars, thick low-end, and tight percussion all snap into place as the track barrels forward. Released independently, it marks the beginning of a new rollout that points toward their debut full-length album arriving this summer.
There’s a sharper edge to “High Tide Era” compared to their 2023 EP My Human Condition and single “Don’t Look Back.” It sounds like a band with a clearer head and a firmer grip on what they want to say – and how they want to hit. No gloss, no over-polished corners. Just dialed in and turning up the volume on a sound they’ve already made their own.
Formed in 2023 and rooted in Chicago, The Basement Party fuse reverb-laced surf guitar work with the bruising energy of old-school skate punk. Think of them as a handshake between Dick Dale and Suicidal Tendencies, delivered with the enthusiasm of three guys who treat every basement show like it’s the last one before summer ends.
They’ve been building momentum throughout the Midwest circuit, tightening their live set with more and more gigs. With that said, “High Tide Era” is the single that locks it all together.
With more releases and shows lined up throughout 2025, The Basement Party are making their moment one step at a time.
Albums, News | Devika & Michael Brook Weave Global and Personal Threads into ‘Wisteria’
Posted by VMan on April 15, 2025
Singer-songwriter Devika has released her latest single “Wisteria,” a Punjabi-language ballad created in collaboration with Grammy-nominated composer and producer Michael Brook. The single pairs Devika’s melodic vocal phrasing with Brook’s refined production, delivering a polished, emotionally restrained piece that merges South Asian influence with global ambient sensibilities.
The track is written entirely in Punjabi and centers on themes of longing and unresolved emotion. Michael Brook, known for his work with Nusrat Fateh Ali Khan on Night Song and contributions to film scores including Into The Wild and Brooklyn, brings his signature minimalist aesthetic to the production. Devika, recognized for her vocal work and previous collaborations with Bohemia, Holmes Ives, and Amaan & Ayaan Ali Bangash, approaches the single with precision and tonal control.
“Wisteria” was developed as a studio collaboration between the San Francisco-based Devika and Brook, whose past output has received acclaim from outlets such as The Guardian and The New York Times. Speaking on the creative process, Devika stated, “Night Song is one of my all-time favorite albums. This collaboration was about creating something lasting.” Brook added, “Working with Devika reminded me how rewarding a true musical exchange can be.”
The single arrives alongside plans for submission in the Best Global Music Performance category for Grammy consideration. It follows Devika’s past placements on playlists such as The A-List: Indian Pop and compilation appearances on Buddha Bar XXIII.
Check out the song above.
Albums | “Fall into Me” Proves Juuku Evolution Is Imminent
Posted by VMan on April 9, 2025
Juuku is back with new music via “Fall into Me” and it’s magical. The production is cinematic and layered, with shimmering synths, intricate drops, and textures that pulse with feeling. It’s a track born from struggle, from self-discovery, and from the decision to change perspective—juuku literally flipped his creative process upside down, and “fall into me” is the breathtaking result. With an anime project also on the way, it’s clear that juuku is in a new chapter of storytelling—one where music, visuals, and narrative all work in harmony. And if “Fall into Me” is any indication, this next phase is going to be one of his most impactful yet. Tune in above now!
News | Bad Nonno & Lucky Rose Set the Tone for 2025 with Hypnotic House Anthem “One More”
Posted by VMan on April 8, 2025
From the golden streets of France to international streaming platforms, Lucky Rose has been steadily lighting up the electronic world – now, they’re turning up the heat. Teaming up with the genre-blending producer Bad Nonno, the duo unleashes “One More,” a sleek, club-driven single packed with hypnotic rhythm and vocal firepower.
Bad Nonno, known for flipping genres like vinyl crates and stacking millions of streams along the way, has scored some serious wins over the years – from collaborations with DVBBS to that funk-laced reimagination of Diana Ross’s “Upside Down.” Lucky Rose, a mainstay in Canada’s dance scene, are no strangers to crafting dancefloor bait either. With nearly 100 million streams and tracks like “The Way You Want Me” and “Wild One” hitting Gold status, they continue to make a massive impact on the scene.
“One More” is a glowing collision of their worlds. Described by Lucky Rose as a “vibey house banger at its finest,” the track completely hypnotizes. Bad Nonno puts it simply: “A song you have to play one more time.” Driven by thick basslines, alluring vocal samples, and percussion that bumps like strobe lights in motion, the single builds a space that’s as inviting as it is explosive.
If this is just the beginning of their synergy, house heads should buckle up.
News | Zack Martino Ignites a New Era with Dusk Till Dawn Records ‘Let You Go’
Posted by VMan on April 4, 2025
Zack Martino has long made a name for himself in the melodic corners of the electronic scene—pairing emotional pull with club-ready energy across tracks like “Mood,” “Crave U,” and “Make Me Yours.” With millions of streams and a steady presence in DJ rotations, his sound has grown more focused and fluid with every release. Now, he’s leveling up with the launch of his own label, Dusk Till Dawn Records, built as a home for deeper, more introspective shades of house and techno.
The label’s first release, “Let You Go,” sets that intention in motion. It’s a clean, late-night track with tight basslines and airy vocals, wrapped in a subtle, simmering atmosphere that favors feeling over flash. The song doesn’t aim to peak—it aims to stay, drawing listeners in through flow rather than force.
With Dusk Till Dawn, Martino is not just curating sound—he’s creating space. It’s a move that reflects both his growth as an artist and his instinct to build something that lasts beyond the drop. The focus is clear, and so is the direction.