House | ‘Summer Rain’ by Esther Anaya, A Perfect Soundtrack for Sunny Days and Adventures
Posted by VMan on June 28, 2024
Esther Anaya’s career is filled with significant achievements. She collaborated with Snoop Dogg on “BAYC” in 2022 and played violin on Lil Yachty’s “Teenage Emotions.” She’s set to release a track with Sean Kingston and has been featured on the covers of Latina Magazine, L’Officiel Arabia, and Grazia Magazine. She was also named the ‘2023 Face Of Cadillac,’ participating in a multimedia campaign.
She’s also performed with stars like Rihanna, Kanye West, and Calvin Harris, and contributed to the soundtrack of the DreamWorks film “Abominable.”
“Summer Rain” is an uplifting summer love anthem that conveys the joy of carefree moments with a special someone. The lyrics describe a powerful romance that makes all worries vanish, with the chorus, “I’m loving the now, if there was no tomorrow,” capturing this sentiment.
The song’s melody and vibes make it perfect for sunny days and truly living your best life.
House | Kelly Reverb’s Dancefloor-Ready ‘La Isla Bonita (Madonna On Acid)’ and ‘Coming Back’ Is A Must Hear
Posted by VMan on June 27, 2024
Kelly Reverb’s career is filled with impressive achievements. His music has been showcased in the feature film ‘Blade,’ and he’s shared stages with industry giants like Carl Cox, Dada Life, and EDX. Kelly’s tracks are currently trending on Beatport, reflecting his enduring relevance in the electronic scene. Additionally, he founded Lone Star Records, an independent label where he releases his own tracks and collaborates with other artists.
Kelly’s journey began in Dallas, Texas. He first made a name for himself at The Lizard Lounge, a premier underground nightclub. Kelly’s unique blend of house and breakbeat, developed over years of gigs at venues like Home Base, Tunnel NYC, and The Clevelander Miami, has defined his career. This foundation set the stage for his continuous evolution as an artist.
Now, Kelly Reverb has released a two-track EP. “La Isla Bonita (Madonna On Acid)” is a fresh take on Madonna’s classic hit, inspired by Kelly’s experiences at Miami Music Week and a Madonna concert in Dallas. Paired with the Latin-influenced “Coming Back,” this EP is designed to energize any dancefloor, blending nostalgia with cutting-edge beats.
Albums | comets near me Share Debut EP ‘Don’t Pick the Flowers’
Posted by VMan on June 26, 2024
Rising San Jose-based duo comets near me have just released their debut EP, Don’t Pick the Flowers. This four-track collection, crafted entirely by Maria and Kyle in their backyard shed, showcases their unique sound and heartfelt songwriting.
Maria and Kyle’s journey began in December 2022, when Maria crashed Kyle’s birthday party. They instantly connected over their shared love for Green Day and Bright Eyes, sparking a creative partnership that quickly blossomed. By early 2023, they were spending every moment together, creating music in their shed. One night, they spotted a bright light in the sky, later identified as a comet. Sharing this story with their friend, Patrick, he jokingly asked, “Did you guys Google ‘comets near me’?” Inspired, Kyle responded, “That would be a good band name”, and comets near me was born.
The EP kicks off with “Pedestal”, the first song comets near me ever recorded together. It’s a playful diss track directed at folks that overcompensate for their own shortcomings by judging other people from the moral pedestal they crafted for themselves. The track doesn’t take itself too seriously and approaches the conflict with an open-door policy – “You’ll never change or see my point of view. But if you do, I’ll leave the door unlocked.”
Next is EP focus track “Hallway Light”, a reflection on childhood lies and their impact on adult life. The song questions the purpose of certain teachings and societal expectations, with no clear answers, only a lingering sense of pondering and yearning. Why were we told to believe in Santa? Why were we taught cursive in school? Why am I working this job? These are just some of the questions brought up in “Hallway Light”, which stands out with its juxtaposition of dreary vocals and sparkly bells in the background.
The emotional depth deepens with “The Last Time I Saw Him”, a delicate, finger-picked guitar track about losing a friend to a destructive path. It’s a poignant reminder of the helplessness one feels in such situations. The EP concludes with “Purgatory”, offering a glimmer of hope amidst the melancholic melodies. This track explores the struggle of being stuck in a transitional phase of life, where even simple tasks feel insurmountable. However, it carries a message of resilience and acceptance, encouraging listeners to take things at their own pace: “Maybe in a month, maybe in a year.”
Commenting on the EP, comets near me explain, “We came up with the title for Don’t Pick the Flowers at a photoshoot. One of the photographers knew some of the themes of the EP were growth and loss of innocence, so they suggested we pick some flowers for some shots. Moments later, we got reprimanded by a park ranger and thought it was funny. As a kid, picking flowers is a rather innocent thing. As adults, we continuously pick (or buy) flowers just to watch them die. Don’t Pick the Flowers to us means you don’t need to show off your growth to the world to prove it happened. It’s much better to let the natural growth cycle continue versus potentially cutting it short.” Don’t Pick the Flowers is available to buy/stream now on all platforms.
Electronic | hypernaut Elevates Joint Effort with AVELLO in VIP Remix of ‘Take Me There’
Posted by VMan on June 21, 2024
AVELLO and hypernaut’s, “Take Me There,” which started as a series of demos, has evolved into a standout VIP that’s hard to turn away from. hypernaut’s UKG twist adds a reflective and melodic element to it – generating an all around smooth and seamless experience.
hypernaut, an emerging DJ/producer from Orlando, began to attract attention with his unique style, culminating in a victory at the 2023 EDC Orlando Discovery Project. This win provided him the opportunity to perform on the Circuit Grounds stage at EDC Orlando, alongside artists like Nia Archives, Alesso, and San Holo. hypernaut has also supported renowned acts like JSTJR, Robin Shulz, Joyryde, Cheat Codes, MUST D!E, and Dash Berlin – with plenty more in the chamber in 2024, hypernaut is easily labeled as one to watch.
AVELLO has carved out a notable presence in the electronic music scene, with his original productions signed to respected labels like Insomniac’s Bassrush, Lost In Dreams, and Excision’s Subsidia. He has opened for major artists such as Excision, Slander, Seven Lions, Flux Pavilion, Kaivon, and Gryffin. AVELLO has also performed at prominent festivals including EDC Orlando, Corona Electric Beach, Forbidden Kingdom, and Moonrise Festival, showcasing his talent on various significant stages.
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Electronic | ‘PivoT’ EP by IGOR360: A Journey Through Laid-Back Yet Expressive Compositions
Posted by VMan on June 21, 2024
Igor Elie-Pierre, also known as IGOR360, has made huge strides in the fashion industry with his immersive visual identities and multisensory branding strategies. Now, he’s ready to extend his influence with his latest project, a groundbreaking EP titled ‘PivoT’ and an avant-garde dance film called “Merged Subjects.”
‘PivoT’ is a seamless fusion of various musical genres and cultural influences, characterized by its laid-back yet expressive compositions. Each track takes listeners on a journey of musical exploration, resonating deeply on both a kinesthetic and synesthetic level. The accompanying film, “Merged Subjects,” features contemporary dancers Emma Gordon and Madison Lynch, whose intuitive movements and visuals explore themes of moral intuition, mirroring, and intersubjectivity.
Based between Paris, New York City, and Toronto, Igor Elie-Pierre is a pioneer at the intersection of art and technology. With a strong passion for creating profound emotional impacts, he aims to infuse humanity into the digital realm. His work transcends traditional boundaries, inviting audiences to experience the beauty of movement and the resonance of shared emotion in a digital age.
House | Ravell – Like That
Posted by VMan on June 21, 2024
Ravell’s influence in the electronic dance music scene is vast. He has captivated audiences at prestigious venues like Coachella’s Sahara Tent, XS Nightclub, Encore Beach Club, EDC Las Vegas, and Beyond Wonderland. His tracks have amassed millions of streams on Spotify, with hits such as “Get Away” and “That Body” receiving backing from prominent figures like Kaskade, Martin Garrix, Tiesto, and Galantis. One standout moment in his career was performing to a crowd of 20,000 at the enormous Convention Center in Los Angeles.
Ravell’s roots trace back to Los Angeles, where his enthusiasm for house music and energetic electronic began. In his early days, he played local clubs, dedicating himself to developing a sound that merges catchy rhythms with a driving pulse. This period of experimentation and growth was crucial in shaping his distinctive style.
Released on his own label Kazaa, “Like That” delivers a dark, enticing atmosphere with a fusion of tech house and bass house sounds. Light feminine chants introduce an exotic flair, creating a track that’s both gripping and immersive, leaving listeners wanting more.
Albums | THMPSN drops new track “Nicole Aniston”
Posted by VMan on June 19, 2024
THMPSN unveils the first single of this new era, “Nicole Aniston,” an official collaboration with Memphis hip-hop legend Kingpin Skinny Pimp, who has become the heaviest sampled artist in the entire phonk genre. Named after the adult film star (who also recorded vocals on the track), “Nicole Aniston” is a drift phonk banger that combines the genre’s signature aesthetic with elegant string arrangements.
“Nicole Aniston” kicks off with haunting piano arpeggios and deep bass tones underlying a spoken passage from Aniston talking about the healing power of reiki. The track then drops into its central phonk beat – a cacophony of trunk-rattling kick-drum patterns, spacious snare hits, and bursts of stuttering hi-hats driving over Kingpin Skinny Pimp’s smooth rap verse.
The track then builds to its cinematic climax, an emotional medley of thumping beats and swirling, lush violin lines.
The track release coincides with an official music video self-directed by THMPSN, who flexes his filmmaking chops on a propulsive, high-energy montage. Kicking off with a shot of THMPSN in a reiki session with Nicole Aniston, the music video then transitions to provocative images of women working on cars spliced with high-speed, aerial shots of drift car racing – an appropriate combination of visuals that emblematize the drift phonk vibe of the track.
The video is also emblematic of THMPSN himself, who, in addition to his loves of electronic music, violin, fitness, and animals, has immersed himself into the drift car world as an amateur driver – yet another addition to the THMPSN lore, a layer that solidifies him as a one-of-a-kind individual.