Electro-House | Zedd & Nicky Romero – Human

Posted by on July 31, 2012

Zedd and Nicky Romero’s much-anticipated collaboration is out today on Interscope, and unfortunately I can’t shake the feeling that these two could have (should have?) produced something more…explosive. Both boast top shelf production skills and well-honed musical ears. Both are known for the palpable level of intensity that defines the majority of their tracks. But this? This just seems depressingly, confusingly average. There’s so much promise leading up to the drop, with the vocals magnified against that pulsing build, but then…nada. Real talk, I’ll be sticking with “Sparks” and the much more interesting body of “Spectrum” remixes.

Beatport: Zedd & Nicky Romero – Human

Electro-House, Preview | Nicky Romero & Zedd – Human [Preview]

Posted by on July 23, 2012

I’ll get the bad out of the way first: the drop in this clip is pretty underwhelming. I had insanely high hopes when I saw that these two were collaborating and let’s just say that my expectations were not fully met. But now the good: the build prior to the drop is amazing, and this preview is short, so who knows what else “Human” might have in store? The vocals are excellent and it’s clear that Nicky Romero and Zedd are bringing the top quality production skills that we’ve all grown accustomed to seeing in their work over the past year, so I look forward to hearing this in full when it drops (update: as part of Zedd’s hotly-anticipated Spectrum EP) on July 31. Fingers crossed that they’re purposely denying us the best that this collabo has to offer…

Preview, Trance | Zedd – Spectrum (Arty Remix)

Posted by on July 19, 2012

Just when you thought the body of “Spectrum” remixes had reached critical mass, Arty swoops in and changes the game. This might be my favorite of the bunch — I’ve already professed my love for Armin’s treatment, but that seems almost conservative in comparison to what the young Russian producer has done here. Arty has accomplished the impressive feat of totally rerouting Zedd’s anthemic track, layering in eerily mesmerizing chords and bright, punchy synth bursts that manage to give this summer favorite a completely new and different tenor. In short, this is amazing in its own right. Unfortunately, we’re stuck waiting until July 31st for a hiqh quality download — that’s when the full Spectrum EP is set to drop.

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Preview, Trance | Zedd Feat. Matthew Koma – Spectrum (Armin Van Buuren Remix) [Preview]

Posted by on July 6, 2012

Well. So much for that Beatport competition.

Armin debuted this yesterday on ASOT (sidenote: did anyone have any idea he even had this thing in the works? Sneaky bastard) and when I learned of this fact I was so overcome with the potential awesomeness of such a musical coupling that I had to excuse myself and think of less exciting things, like Japanese proverbs and the technical science underpinning the Higgs boson. As a matter of fact, those physicists might have gotten it wrong — this remix might actually be the Higgs boson. I don’t know. All I know is that 1) “Spectrum” was already an absolutely incredible song and 2) there’s pretty much no conceiveable way for Matthew Koma’s vocals not to complement Armin’s lush soundscapes wonderfully.

And let’s just say that AVB delivers. He masterfully augments the emotional moments in “Spectrum,” bringing us to blissful crest after blissful crest before shifting seamlessly into pure, feel-good trance. I do love the original, but I’ve always found Zedd’s synths after the drop to feel a bit incongruous and choppy after the smooth, chromatic verse and chorus. This to me is perfection. No word on a release date yet but you’d better believe that I’ll be first in line when it drops.

Progressive House | Zedd Feat. Matthew Koma – Spectrum (Moiez Remix)

Posted by on June 22, 2012

Canadian producer Moiez has released his remix of Zedd’s “Spectrum” luckily for us before the announcement of the “Spectrum” Beatport remix contest that will inevitably be filling up my inbox in the coming days. Moiez keeps the emotion of the track and adds his melodic flare to it by tinkering only slightly with the build and then reconstructing almost entirely the drop into a peak time, hands in the air break of a driving, clap dominating bass line, melodic synth chords and rising synths. If you didn’t check out his previous tracks do so and from the looks of it, we have something good brewing here with this young Canadian.

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Electro-House | Zedd – Spectrum (feat. Matthew Koma)

Posted by on June 4, 2012

Despite being leaked a little while ago, Zedd’s masterpiece “Spectrum” with Matthew Koma still has nearly all the momentum behind its release. Zedd has grown immensely as a producer, exploring new styles and sounds, while becoming a globally recognizable name not just in niche circles, but in the mainstream conscious. This is not the typical formula of a Zedd track, though he has been experimenting lately with his hardstyle track “Shotgun”. Spectrum is more progressive than what we usually expect from the German with the vocals from Matthew Koma that are different from your usual house vocals, almost reminding me for Dream Theater’s vocals, with intricate key play long synth chords and a slow, calculated bass line in the build. It crescendos into a break of driving bass, pulsing synth chords and a well crafted, pitched melody with an electro house interlude that we would expect to hear from Zedd. Expect to hear this early and often from your favorite electro house producers this festival season and plenty during Starscape this Saturday.

Zedd – Spectrum (feat. Matthew Koma) – Beatport Link

Events, Review | Toulouse in Toulouse: Nicky Romero at Opium Club

Posted by on April 8, 2012

Whenever an artist names a song after a city and they play a show in said city, it is a special show for both the people in attendance and the artist. Nicky Romero has really exploded into 2012 with the December release of his track “Toulouse” and Thursday night was his first visit to the city that has helped sparked his fame. Though he was sipping on some Perrier with a straw (bawse) he still knew how to party, throwing winks at random chicks dancing on the bar, high fiving fans, and raging in the Dj booth. He played a well thought out, calculated set from the first to the last song with a few unreleased track, including the first ever play of his remix of the Zedd produced Eva Simons – I Don’t Even Like You (short video below, notice the ass slapping motion, the song is that filthy). Rest of the recap after the jump.

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