Trap | Flosstradamus – Rollup (Baauer Remix)

Posted by on July 25, 2012

The hype that has been building around this up coming Trap-style artist lately, Baauer, is crazy. Every single one of his releases are being played out by all the big EDM artist, which says something in itself. Just 6 months ago nobody knew who he was or what he was doing and now people are going crazy over his sensational Trapt out tracks. The Trap movement hasnt completely won me over yet, but I will give it some more time. In the mean time this remix of Flosstradamus’s Rollup is a pretty sick remix by him. It is definitely on some next level hip-hop stuff.

Albums | KAM Royal — Still Waters [Mixtape] + One Time [Music Video]

Posted by on July 22, 2012

Way too many people have been sleeping on this tape. I’ve always paid attention to KAM’s moves, but only after posting the Time Out Club posse cut “Cosmic Consciousness” (on which he has the first verse) did I decide to take a deeper look. His most recent tape—a collaboration with Kid Vision (the beat virtuoso behind “Cosmic Consciousness”)—features what is by far the most mature sound we’ve heard from KAM, yet with all his idiosyncrasies and characteristic humor intact. This project flows extraordinarily well for a mixtape— which is largely a nod to Kid Vision—who provides one of the most impressive album-length backdrops that you’ll ever hear on a free mixtape. And there’s KAM’s wit, sharpness, and personality, which permeates every track. Still Waters is a tribute to the movement of artists trying to bring underground hip-hop back towards substance and quality, steering clear of the pop-oriented punchline rap that is quickly saturating the blogosphere.

As a bonus, KAM dropped off the tape’s first video, to one of my favorite tracks “One Time.” Enjoy this laid-back, playful visual and be sure to cop the tape—I guarantee you won’t be disappointed.

http://www.youtube.com/watch?v=bFtvbiQJDd8&noredirect=1

KAM Royal — Still Waters [Mixtape]

“Still Waters” cover art—painted by Kid Vision

 

Hip-Hop | Rick Ross – 3 Kings (Ft. Dr. Dre & Jay-Z)

Posted by on July 19, 2012

DSHAQ: Let me begin by saying that it really pains me that I don’t get to hear a “MMMAYBACH MUSIC” in the beginning. All music tags aside, this song is flawless. The beat, which was phenomenally crafted by Jake One, fits each “King’s” flow perfectly. The verses are on point, which you expect nothing less from 3 of hip hop’s greatest, transitioning so smoothly from one to another. Although God Forgives, I Don’t isn’t due out until the 31st, this will hold us over until then.

 

A: Let me begin by saying that I disagree with my esteemed colleague. Ross has been struggling lately, dropping single after single to no avail. Sure, he’s on the radio, but he doesn’t have a “Blowing Money Fast” or even an “Aston Martin Music” in his pocket right now. Ross was relying on “3 Kings” to be his ace in the hole today and it turned out to be a joker. Jay-Z’s verse was mailed in, previously meant for a DJ Khaled, Dre’s verse was written by Rick Ross, and Rick Ross dropped perhaps his worst verse of the year. I don’t know what’s going on over there at Maybach Music, but I predict “God Forgives, I Don’t” will be a dud.

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Electro | Paper Diamond – Time Flies

Posted by on July 19, 2012

Ever since I saw Papaer Diamond at Red Rocks, I have been chomping at the bit for his next release, so when I saw this pop up in my inbox I had to share. “Time Flies” is an epic track from Paper Diamond and Russ B which features definitive hip-hop flavor, lots of heavy bass, and melodic electro underpinnings. Along with Paper Diamond’s trademark lightheartedness, Russ B’s vocals effortlessly flow over the track. Paper Diamond is on the rise, becoming a well-respected mainstay in the electronic community. A great song to help make your Thursday just that much better…Friday is just around the corner.

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Albums, Hip-Hop | Macklemore – Same Love

Posted by on July 18, 2012

New Macklemore is always a treat, especially when paired with a beat crafted by his counterpart Ryan Lewis. But this….this is more than I could’ve expected from even Macklemore, my favorite artist in the game. In Same Love, Mackelmore gives his opinions on same sex marriage. With the huge steps being taken towards the equality of gays. While listening to this song, I couldn’t help but feel proud of the direction hip-hop is headed with Ben Haggerty at the helm. He takes on the hypocrisy of church and state in this song, and couldn’t do it in a more respectful, poetic way. Read Mackelmore’s full statement on the song after the jump. Wow, what a guy.

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Hip-Hop, Mixtapes | Mixtape Premiere: Kinetics — With A Little Help From My Friends

Posted by on July 10, 2012

In an age of music where hip-hop artists have become products more identifiable by their appearance and crossover attempts than lyrical ability, authenticity and originality is becoming increasingly hard to find. While a plethora of upstart rappers claim to embody a fresh style, swag, and signature flow, the umbrella of rap music is ever expanding and becoming congruent with the hollow, yet heavily-popularized party rap genre—one that is steering hip-hop away from its conscious, substantive roots, and saturating it with hopefuls bent on scoring a lucrative career out of their craft.

Though originally known as the songwriter behind B.o.B’s triple-platinum pop single “Airplanes,” Kinetics (rapper of Kinetics & One Love) is intent on bringing lyricism and message back to the forefront of hip-hop. It’s been almost a year since the last time we heard a full project from him, but it’s clear that he’s been hard at work during the hiatus, as evidenced by the substantial progression we find on his new mixtape, With A Little Help From My Friends, premiering here on Fresh New Tracks. Last week, in preparation for the new tape, Kinetics announced to his fans on Twitter that the new project would be getting back to his more lyrically-focused roots, writing off the experimental sound of last year’s What Model Are You? in a moment that recalled Eminem’s “Not Afraid”, where he candidly claimed, “Let’s be honest/That last Relapse CD was ehhh.” It is that self-awareness that has propelled Kinetics to consistent improvement as an emcee, and has allowed him to make the kind of advancement in a year that would take many artists the better part of their careers.

What makes this work so decidedly different from his past efforts is it’s consistency, which is ironic because the work gains its title from the fact that each track features a different artist or producer (including such esteemed hip-hop figures as R.A. the Rugged Man, Remedy of Wu-Tang Killa Bees, and Unknown Prophets). But while the record’s consistency doesn’t come from its collaborators or production (longtime producer One Love was involved in just a third of the beats), it’s easily evident in Kinetics’ lyricism, flow, and delivery, as he attacks each verse full throttle with cipher-caliber raps that are packed with double entendres, puns, and multisyllabic rhymes. This is the Kinetics that fans of early work like “High Noon” have been waiting to see resurface, while he still manages to keep the record balanced and accessible to the more pop-oriented portion of his fan-base.

With A Little Help From My Friends is comprised of sixteen tracks spanning exactly an hour, with a guest-list that perfectly locates Kinetics in the hip-hop world, as he raps aside (and often out-spits) cemented figures of the underground as well as blog-favorited up-and-comers like Chris Webby, Dylan Owen, and Beau Young Prince. While there are a significant number of notable guest appearances here (including four from frequent collaborator Accent), there’s no doubt from the opening bars of “Chris Nolan” to the melodic and vehement closer “Music Speak” that this is Kinetics’ show, his time to shine, and let listeners bask in the complexity and substance of his craft that is a rarity in today’s hip-hop.

From the ferocious intricacy and flow-swapping of “Chris Nolan” (“I spit sinister symbolism that’s killing all these silly simile single-syllable singing simpletons”) to the storytelling of standouts “Rich Man” and “Million Miles of War” (the latter of which poignantly depicts the life of an American soldier in WWII) to his distinctive humor on “Game Over” (“Showed this girl named Megan my bunk-bed/Slid my balls in between that slut’s legs like a nutmeg/Get it? A nutmeg/I said her name was Megan/That pun operated on three levels but nobody gets it”), With A Little Help From My Friends caters to a wide audience, yet never compromising the high-standard Kinetics holds himself to on a line-by-line basis here, ultimately making for a final product that finally feels like it has captured his talent on record. Like my man FNT blogstar “A” once told me, “Kinetics can rap circles around people”—and that has never been more evident than on this record. So take a seat, grab your headphones, and revel in the dizziness.

 Download: KINETICS & ONE LOVE- WITH A LITTLE HELP FROM MY FRIENDS (MIXTAPE)

 

 

 

 

 

 

Hip-Hop | RiFF RAFF & GHETTY- BATH SALTS (Video)

Posted by on June 27, 2012


“RAP GAME DO A BARREL ROLL, WAVE RACE.”

Let me preface this by saying I can’t get enough of Riff Raff. He’s genius. I don’t understand, however, why he collaborates with all of these no-name rappers. It seems that Riff Raff and his video guy have a package a no-name rapper can purchase that includes a verse and a video. I’m not hating on Riff for that, everyone has to pay the bills, I just wish we could get more “You Never Know” type verses that we all know and love Riff Raff for. When Riff Raff writes structured raps, like in the video above, he loses some of his appeal in my opinion. Regardless, Riff Raff continues to captivate, as he’s hands down my favorite artist right now.