Albums | World music producer SWAYLÓ unveils tribal acid house single “GLOBAL ACID JACK”
Posted by VMan on October 11, 2023
Genre-blending house music producer and promoter SWAYLÓ is an artist defined by his mutli-faceted nature. Growing up on the Zuni Pueblo and later the Navajo reservation – and with South African and Swiss heritage – SWAYLÓ has cultivated a sound that blends elements from across the dance music spectrum with organic instrumentation and global textures.
This unique style has led the artist to performances at festivals such as Electric Forest, EDC Mexico, Envision, and Lightning In A Bottle, and support slots for world-class acts such as ZHU, Diplo, BLOND:ISH, Noizu, Matroda, Cloonee, Nora En Pure, Jamie Jones, HoneyLuv, Destructo, and many more.
SWAYLÓ’s talents extend beyond his production skillset, as he’s begun to expand on his global, cosmic dance ethos through other ventures as a label head and venue promoter. With the newly launched imprint/event series Ancient Future Present, SWAYLÓ combines values absorbed from electronic music’s past with forward-thinking innovation to create, unforgettable dancefloor experiences.
Additionally, as the former talent buyer at C3 Presents and current Entertainment Director at Las Vegas’ renowned AREA15 event space, SWAYLÓ has become an expert at translating his artistic vision into dynamic curation and concert production.
Today, SWAYLÓ unveils his new single “GLOBAL ACID JACK,” a transportive acid house track that takes fans on a spellbinding listening experience from dark into light. True to his astrological interests, the track is being released in the Waxing Gibbous moon phase – blending tribal instrumentation with analog synths and an infectious, modern club beat, the “GLOBAL ACID JACK” is a sonic journey through time and space.
The first section of “GLOBAL ACID JACK” is defined by themes of hyper-focus and dedication, as if the song is foretelling a major journey ahead through new worlds. Kicking off with maraca rhythms overlaying a bouncy bassline, the track quickly incorporates thumping kickdrums and sci-fi percussive SFX. Next, the track builds with ascending drums, risers, and a repeated vocal sample before dropping into an acid synth line enveloped by blazing hi-hats and futuristic, techno-oriented sound design – a sonic combination that reflects the track’s ongoing journey to self-actualization.
The second section of “GLOBAL ACID JACK” represents a take-off into the cosmos, relieving the song’s tension through a no holds barred approach to the production. Evoking images of interdimensional space travel, the track builds on the elements it had already established by closing out with new instruments and sonic elements wrapped in a tectonic, propulsive, and heart-racing atmosphere.
Filtering past and global sounds through a decidedly futuristic, otherworldly lens, “GLOBAL ACID JACK” is an acute demonstration of SWAYLÓ versatile dance music mindset. As one of his harder tracks, “GLOBAL ACID JACK” fits well in SWAYLÓ’s genre-spanning discography, which can range from afro-house, to melodic house, to more tech and club-oriented soundscapes. As a result, the track portends an exciting future for the Ancient Future Present and its mission to make everyone groove.
“Connecting multiple layers of rave, techno, acid, and tribal influences, I created this one to take you on a journey and exploration of outer dimensional and new worlds. Emphasizing the legendary TB-303 acid synth line, which keeps the energy pulsating and driving throughout, the tribal percussion merge with 90s throwback sounds, booming sub-frequencies, and warehouse vocals.” – SWAYLÓ
Albums | Chloe Mogg’s debut album ‘The Crazy One’ is out now
Posted by VMan on October 10, 2023
Chloe Mogg’s debut album, “The Crazy One,” is a vibrant and emotionally charged musical journey that skillfully blends an array of influences, resulting in a captivating sonic experience. Hailing from Worcestershire, Chloe has been a prominent figure in the West Midlands music scene, both as a journalist and a singer-songwriter, and this album showcases her immense talent and dedication.
The album, which Chloe has been meticulously crafting for the past six years, is a powerful coming-of-age record that delves into the themes of growth, self-discovery, and self-worth. Through a mix of heartfelt lyrics and a wide range of musical styles, Chloe takes listeners on a rollercoaster ride of emotions, all centered around the concept of identity. It’s a reminder that we are the main characters in our own stories and should always prioritize what’s best for ourselves.
Albums | Island Moons Releases “Jupiter on a Key Ring”
Posted by VMan on October 10, 2023
In the midst of a worldwide pandemic-induced lockdown, when the world was shrouded in eerie silence and uncertainty, the artist known as Island Moons found his creative spark. Formerly known as Brandon Harwood, this American singer-songwriter stumbled upon a moment of serendipity that would reshape his musical path forever. From the ashes of isolation, he emerged with a new voice, a new persona, and a new song that defies easy categorization – ‘Jupiter on a Key Ring.’
Island Moons’ musical journey took an unexpected turn when he discovered an unpublished manuscript by none other than the legendary William Blake during a recording session in upstate New York. This revelation birthed Island Moons and catapulted his songs into reality, infusing them with an unmistakable creative energy.
Albums | DLG. Levels Up on “OVER MY HEAD!”
Posted by VMan on October 9, 2023
“OVER MY HEAD!” isn’t just another catchy song; it’s a reflection of tunnel vision on a goal and all the delightful chaos that comes with pursuing it, as DLG. himself describes it. The track is a testament to DLG.’s ability to create music that not only sounds good but also tells a story and connects with the listener on a deeper level. This track follows a string of captivating releases from DLG., including “KUNG FU” and “CLOSE ONE!” Ones to Watch notably called these tracks “effortlessly dancey” and “an excellent track to fall in love to,” and “OVER MY HEAD!” is no exception to this trend of infectious, danceable tunes. Check out the latest by DLG. above now!
Albums | BLENDIN’ERA Releases “When The World Is Running Down”
Posted by VMan on October 9, 2023
BLENDIN’ERA’s latest single, “When The World Is Running Down” featuring Laura Lopez (aka LauRAW), along with the B-side “Good Times,” is a testament to their remarkable ability to create electronic music that transcends boundaries and offers a breath of fresh air to the music scene.
The collective, led by Rick T. (aka DJ Abstract), Castor Troy, and Rob Fischer, has brought together a diverse group of artists and producers from around the world to create a truly international music experience. “When The World Is Running Down” is a reimagining of The Police’s 1980s hit, and BLENDIN’ERA has seamlessly blended their expertly crafted electronic sounds with the powerful vocals of LauRAW, breathing new life into this beloved classic. The result is an uplifting track that radiates positivity and hope, making it a perfect choice for those seeking solace and musical transcendence in the midst of chaos.
Albums | Haan808 Unveils Addictive Anthem ‘I Ain’t Playin’
Posted by VMan on October 9, 2023
New Zealand’s Haan808 continues to impress. With releases on Good Enuff, Monta, Quality Goods Records, and bitbird, the talented producer has been carving out his own lane with the backing of some of the best in the game. Marking his return to FUXWITHIT comes ‘I Ain’t Playin’ an addictive genre-blurring bop. The track follows his previous releases with the label including ‘Star Fire,’ ‘Stay With Me’ and ‘Main Phase.’
‘I Ain’t Playin’ is a groove-filled anthem that mixes elements of Haan808’s bass-leaning signature style with hints of UKG for a fresh feel. Built around an impassioned and addictive vocal loop, it creates an incredibly catchy feeling while delivering an emotional pull. The lyrics will be running through your head like an old flame. The introduction combines lush pads, crisp percussion, and airy synths for a dreamy vibe. Hitting listeners with a wild switch-up, the track ups its energy with dancey drum programming, pulsing low-end, ghostly vocal chops, and commanding melodies. Echoed vocals and empty space intensify the impact of the switches. Equally at home soundtracking a break-up or rattling dance floors, ‘I Ain’t Playin’ is an infectious anthem for any occasion.
“After watching Skrillex, Four Tet & Fred again.. play they are set at Coachella live stream, all the songs had crazy switch ups and all the songs had such a groove to me. It also looked like they were just having a jam, nothing planned—big inspo for this song. I approached the song the same way. No intention just see what happens. I enjoyed making something a bit more upbeat than usual. There is a lot of sound design in this track for me” – Haan808
Albums | Future house duo Electric Polar Bears drop Where We Started EP, with new single “Control”??
Posted by VMan on October 7, 2023
Since releasing their first music in 2021 and playing their first show at Groove Cruise in 2017, future house duo Electric Polar Bears (who go by the names Zero and Snowball) have been on a constant upward trajectory.
They established themselves in the dance music world with a unique mythology, claiming to have an Antarctic lab headquarters where they concoct perfect party-throwing strategies. They’ve fleshed-out this worldbuilding even further at their stand-out shows, where the polar bear-headed duo combine 3000 LED heads, powerful confetti cannons, dazzling lasers, frost machines, and a dedicated penguin parade backdropped by their vibrant, bouncy house beats.
As a result, the Electric Polar Bears’ infectious sound and magnetic performance style have led to collaborations with producers and vocalists such as Paris Hilton, Nitti Gritti, and TyDi; support from industry tastemakers like Afrojack, Alison Wonderland, Deorro, and Illenium; performances at festivals around the world including Decadence Arizona, Water Castle Carnival, and Global Dance Festival; and a showcase at Paris Hilton’s Neon Wedding.
Now, the duo unveils their Where We Started EP, a 3-track package that broadens their artistic scope and is an expression of their musical and philosophical sensibilities.
Following their 2022 tour, the Electric Polar Bears found a renewed sense of purpose after connecting with their fans every night – an assortment of communal experiences that showed them the raw power of electronic music culture. From these moments, the duo decided to lean into their uplifting aesthetics, crafting a vintage house sound that’s filtered through a futuristic presentation.
The result of this approach is their new Where We Started EP, which, through its creative, euphoric mix of analog synths, drum machines, and contemporary digital softwares, pays homage to classic eras of dance music while simultaneously introducing audiences to new sounds.
Fans got their first taste of the EP with self-titled track “Where We Started” – a euphoric cut with a groovy, head-spinning beat that transports listeners to the inception of Electric Polar Bears’ musical journey.
Next was, “Motion,” a vintage house cut incorporating nostalgic sound design imbued with shimmering, futuristic production.
Today, Electric Polar Bears release “Control” as the final track on the EP. With its heart-pumping, bass-infused house beats and contagiously melodic chord progressions, the track is a perfect way to immerse listeners into the Electric Polar Bears world and evoke the feel-good vibes of their shows.
The track kicks off with an epic, cinematic orchestra hit before giving way to the song’s central melodic riff. Then, atmospheric claps, head-spinning risers, and stuttering drum percussion build into the song’s head-spinning, dance floor-igniting drop.
With scintillating house hi-hats, deep bass synths, and thumping kickdrums, “Control” is an acute embodiment of Electric Polar Bears’ crowd-winning skillset. And as a track designed to kick off a set, the song is true to its name with its ability to effortlessly move an audience.