Author: VMan
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Albums | Chloe Mogg’s debut album ‘The Crazy One’ is out now
Posted by VMan on October 10, 2023
Chloe Mogg’s debut album, “The Crazy One,” is a vibrant and emotionally charged musical journey that skillfully blends an array of influences, resulting in a captivating sonic experience. Hailing from Worcestershire, Chloe has been a prominent figure in the West Midlands music scene, both as a journalist and a singer-songwriter, and this album showcases her immense talent and dedication.
The album, which Chloe has been meticulously crafting for the past six years, is a powerful coming-of-age record that delves into the themes of growth, self-discovery, and self-worth. Through a mix of heartfelt lyrics and a wide range of musical styles, Chloe takes listeners on a rollercoaster ride of emotions, all centered around the concept of identity. It’s a reminder that we are the main characters in our own stories and should always prioritize what’s best for ourselves.
Albums | Island Moons Releases “Jupiter on a Key Ring”
Posted by VMan on October 10, 2023
In the midst of a worldwide pandemic-induced lockdown, when the world was shrouded in eerie silence and uncertainty, the artist known as Island Moons found his creative spark. Formerly known as Brandon Harwood, this American singer-songwriter stumbled upon a moment of serendipity that would reshape his musical path forever. From the ashes of isolation, he emerged with a new voice, a new persona, and a new song that defies easy categorization – ‘Jupiter on a Key Ring.’
Island Moons’ musical journey took an unexpected turn when he discovered an unpublished manuscript by none other than the legendary William Blake during a recording session in upstate New York. This revelation birthed Island Moons and catapulted his songs into reality, infusing them with an unmistakable creative energy.
Albums | DLG. Levels Up on “OVER MY HEAD!”
Posted by VMan on October 9, 2023
“OVER MY HEAD!” isn’t just another catchy song; it’s a reflection of tunnel vision on a goal and all the delightful chaos that comes with pursuing it, as DLG. himself describes it. The track is a testament to DLG.’s ability to create music that not only sounds good but also tells a story and connects with the listener on a deeper level. This track follows a string of captivating releases from DLG., including “KUNG FU” and “CLOSE ONE!” Ones to Watch notably called these tracks “effortlessly dancey” and “an excellent track to fall in love to,” and “OVER MY HEAD!” is no exception to this trend of infectious, danceable tunes. Check out the latest by DLG. above now!
Albums | BLENDIN’ERA Releases “When The World Is Running Down”
Posted by VMan on October 9, 2023
BLENDIN’ERA’s latest single, “When The World Is Running Down” featuring Laura Lopez (aka LauRAW), along with the B-side “Good Times,” is a testament to their remarkable ability to create electronic music that transcends boundaries and offers a breath of fresh air to the music scene.
The collective, led by Rick T. (aka DJ Abstract), Castor Troy, and Rob Fischer, has brought together a diverse group of artists and producers from around the world to create a truly international music experience. “When The World Is Running Down” is a reimagining of The Police’s 1980s hit, and BLENDIN’ERA has seamlessly blended their expertly crafted electronic sounds with the powerful vocals of LauRAW, breathing new life into this beloved classic. The result is an uplifting track that radiates positivity and hope, making it a perfect choice for those seeking solace and musical transcendence in the midst of chaos.
Albums | Haan808 Unveils Addictive Anthem ‘I Ain’t Playin’
Posted by VMan on October 9, 2023
New Zealand’s Haan808 continues to impress. With releases on Good Enuff, Monta, Quality Goods Records, and bitbird, the talented producer has been carving out his own lane with the backing of some of the best in the game. Marking his return to FUXWITHIT comes ‘I Ain’t Playin’ an addictive genre-blurring bop. The track follows his previous releases with the label including ‘Star Fire,’ ‘Stay With Me’ and ‘Main Phase.’
‘I Ain’t Playin’ is a groove-filled anthem that mixes elements of Haan808’s bass-leaning signature style with hints of UKG for a fresh feel. Built around an impassioned and addictive vocal loop, it creates an incredibly catchy feeling while delivering an emotional pull. The lyrics will be running through your head like an old flame. The introduction combines lush pads, crisp percussion, and airy synths for a dreamy vibe. Hitting listeners with a wild switch-up, the track ups its energy with dancey drum programming, pulsing low-end, ghostly vocal chops, and commanding melodies. Echoed vocals and empty space intensify the impact of the switches. Equally at home soundtracking a break-up or rattling dance floors, ‘I Ain’t Playin’ is an infectious anthem for any occasion.
“After watching Skrillex, Four Tet & Fred again.. play they are set at Coachella live stream, all the songs had crazy switch ups and all the songs had such a groove to me. It also looked like they were just having a jam, nothing planned—big inspo for this song. I approached the song the same way. No intention just see what happens. I enjoyed making something a bit more upbeat than usual. There is a lot of sound design in this track for me” – Haan808
House | The Making of a Maestro: Draxx’s Signature Sound Pushes The Boundaries Of Tech House Culture
Posted by VMan on October 8, 2023
In 2023, Italian DJ and producer Draxx burst onto the tech house scene, merging exceptional skill with astute partnerships, creating waves throughout the electronic music sphere. His track “WTF” not only clinched the 32nd position on Beatport’s main chart but also soared to 11th in the tech house category, marking his ascending influence. On Spotify, “WTF” earned a spot on the ‘Tech House Operator’ playlist, while “Ponteme” and a remix of “Hayabusa” also made significant chart impacts, securing 96th and 11th places, respectively, on Beatport.
Draxx’s knack for producing enthralling tunes garnered admiration from titans like Cloonee, Hugel, John Summit, Sosa, and Gordo. With this said, his creations were embraced by elite labels such as Insomniac, Hellbent, Sola, and Nervous Records, which helped him propel his vision forward even faster.
Draxx’s recognition as one of ‘The Future of Dance’ producers by 1001Tracklists, was a rightful turning point and really put the spotlight on him. Looking forward, Draxx stands on the brink of further triumphs, with numerous tracks slated for release under major labels in 2024. Dive into his Spotify above and do not sleep on this guy – he is headed toward the mainstage in no time.
Albums | Future house duo Electric Polar Bears drop Where We Started EP, with new single “Control”??
Posted by VMan on October 7, 2023
Since releasing their first music in 2021 and playing their first show at Groove Cruise in 2017, future house duo Electric Polar Bears (who go by the names Zero and Snowball) have been on a constant upward trajectory.
They established themselves in the dance music world with a unique mythology, claiming to have an Antarctic lab headquarters where they concoct perfect party-throwing strategies. They’ve fleshed-out this worldbuilding even further at their stand-out shows, where the polar bear-headed duo combine 3000 LED heads, powerful confetti cannons, dazzling lasers, frost machines, and a dedicated penguin parade backdropped by their vibrant, bouncy house beats.
As a result, the Electric Polar Bears’ infectious sound and magnetic performance style have led to collaborations with producers and vocalists such as Paris Hilton, Nitti Gritti, and TyDi; support from industry tastemakers like Afrojack, Alison Wonderland, Deorro, and Illenium; performances at festivals around the world including Decadence Arizona, Water Castle Carnival, and Global Dance Festival; and a showcase at Paris Hilton’s Neon Wedding.
Now, the duo unveils their Where We Started EP, a 3-track package that broadens their artistic scope and is an expression of their musical and philosophical sensibilities.
Following their 2022 tour, the Electric Polar Bears found a renewed sense of purpose after connecting with their fans every night – an assortment of communal experiences that showed them the raw power of electronic music culture. From these moments, the duo decided to lean into their uplifting aesthetics, crafting a vintage house sound that’s filtered through a futuristic presentation.
The result of this approach is their new Where We Started EP, which, through its creative, euphoric mix of analog synths, drum machines, and contemporary digital softwares, pays homage to classic eras of dance music while simultaneously introducing audiences to new sounds.
Fans got their first taste of the EP with self-titled track “Where We Started” – a euphoric cut with a groovy, head-spinning beat that transports listeners to the inception of Electric Polar Bears’ musical journey.
Next was, “Motion,” a vintage house cut incorporating nostalgic sound design imbued with shimmering, futuristic production.
Today, Electric Polar Bears release “Control” as the final track on the EP. With its heart-pumping, bass-infused house beats and contagiously melodic chord progressions, the track is a perfect way to immerse listeners into the Electric Polar Bears world and evoke the feel-good vibes of their shows.
The track kicks off with an epic, cinematic orchestra hit before giving way to the song’s central melodic riff. Then, atmospheric claps, head-spinning risers, and stuttering drum percussion build into the song’s head-spinning, dance floor-igniting drop.
With scintillating house hi-hats, deep bass synths, and thumping kickdrums, “Control” is an acute embodiment of Electric Polar Bears’ crowd-winning skillset. And as a track designed to kick off a set, the song is true to its name with its ability to effortlessly move an audience.