Albums | Late Night Therapy Releases Eclectic House single, “Spinning”
Posted by VMan on August 21, 2022
Late Night Therapy is a new project from Australian artist Harry Suttor, who is making a unique blend of electronic music with progressive House elements. If you’re a fan of RUFUS DU SOL, Claptone, and other artists who used sounds within the House space, you will likely be a fan of Late Night Therapy. It’s pretty early on in his career with only 3 releases under his belt, but his new track “Spinning” may just be his best piece of work to date. The song was written during a time of deep introspection after coming out of a long-term relationship. Check out a quote on the single by the rising Aussie talent below now and stream “Spinning” by Late Night Therapy above now!
“I was coming out of a long-term relationship and had decided to take a couple month soff work to go back to my childhood home, a small village near Yamba NSW, where I could slow down and get back to focusing on music for awhile. It turned into a time of deep introspection, looking where I wanted to take my life next. It was also a time of reaffirmed gratitude and appreciation for what music creation brings into my life and the realization that I needed to once again heed the call and make music a priority. ‘Spinning’ is the first of a handful of tracks to come from that time. It’s about the spiraling thoughts that come alongside periods of rapid growth and change.This was also the first time in my musical journey I felt ready to not only produce and mix, but also master my own music. I’ve always had the ambition to learn every aspect of the musical process and it’s finally starting to pay off. I’m starting to make the music I’ve always wanted to. Completely my own vision.” – Late Night Therapy
Albums | Long Term Parking Release Video for “King E”
Posted by VMan on August 8, 2022
Long Term Parking is an expansive musical project by three veteran musicians looking to broaden their horizons. The bands fluid style combines elements of hip hop, rock and alt-pop into a unique sound that also draws influences from classical and folk music. Check out the music video for “King E” by Long Term Parking above now and below this article check out a quote from the band on their new release!
“King E.’ is the oldest song on the record, but ironically ended up being the closer. It took a lot of work to make everything sound casual. The song has a very specific structure that is remotely inspired by a baroque rondo. ‘King E’. is an example of what we’re trying to do, namely look for bridges and create collages. We try to connect things that are seemingly unrelated in the most natural way. The lyrics of the song describe the way your inner world expands into your real life.”
Albums | The Fur Shares New Single “The Light”
Posted by VMan on July 6, 2022
Hailing from Stockholm, The Fur is an exciting rising indie artist/songwriter/producer who has been releasing music since 2021 but sounds like he’s been making it a lot longer. “The Light” is his latest offering and it’s only his 7th release to date, initially being one of the first demo’s he ever worked on until fully fleshing it out and updating it to it’s current format. The style of the song takes from tropical house and Nordic dance pop, with an Ariana-like flavor added by Los Angeles-based singer Ashley Alisha. Check it out above now!
“The song itself came to me in September 2020, and the first demos also stem from that time. We worked on it a bit during the winter of 2020, but it didn’t really lead to anything. Then this year I met with producer Sebastian Meyer, and we decided to work on some stuff together. This song ended up being the first thing we did, and I think it turned out really well.”
Electronic | Tobtok Showcases New Sound On “Satellite”
Posted by VMan on May 18, 2022
Swedish dance sensation Tobtok is back with potent new single ‘Satellite’ featuring the mesmeric vocal topline of Danish singer/songwriter Arinn. Released on 13th May via Perfect Havoc, London’s chart-topping label, this new release captures an evolution in sound for the label’s talisman as he bridges the gap between commercial and underground.
Following the impressive ‘My Carousel’ featuring renowned dance vocalist Jem Cooke on Selected, Tobtok wastes no time in sharing another slice of his refined sonic palate. ‘Satellite’ effortlessly crosses over into tougher grooves and meatier melodies whilst retaining the chirpier elements of his past productions. The singleis an instantly gripping affair, kicking off with a catchy vocal hook before diving into firm drum work, pulsating sub-bass and a gritty synth lead that carry the track forwards and bring an undeniable danceability.
Tobtok aka Tobias Karlsson, is one of the most talented artists leading the new wave of Swedish electronic music DJ / producers. He has generated over 500 million streams globally across his original work, remixes and productions for Joel Corry, Robin Schulz and Karen Harding to name a few, on such illustrious labels as Ministry of Sound, Kitsuné and of course, his home at Perfect Havoc.
Tobtok’s highlight outings include the Australian double platinum record, ‘Fast Car’; flexing his DJ skills on Toolroom Records’ ‘Miami Poolside’ compilation; and the 2020 release ‘New Levels’ which as well as being made ‘Tune of the Week’ on BBC Radio 1, picked up key DJ support from Sam Feldt, Sigala, Tiësto and many more.
Arinn (aka. Astrid Ankjær) bridges her own gap between sweet ‘n’ sour and clean ‘n’ gritty. Her productions, lyrics and versatile vocal melt together in juicy soundscapes of ‘feels’ that somehow still relate to each-other. She most recently released ‘Regret’ with Astrality on esteemed label Selected, which has been streamed close to 5 million times.
Perfect Havoc – shortlisted for Best Independent Record Label at the 2022 Music Week Awards – is one of the most successful indie dance labels of recent years. Its trademark sound of commercial dance with a smattering of the more club-focused has generated the label over 3 billion streams. It’s given rise to six UK Top 20 singles including the No.1 single ‘Head & Heart’ by four-time Brit Award nominated producer, Joel Corry.
With a talent-packed schedule for 2022 that also features releases from Just Kiddin, PS1, Varski, Charlie Hedges, Oliver Nelson and many more, Perfect Havoc is guaranteed to serve up a ton of accessible and underground house sounds from both breaking and established talent.
Alternative | Maejis Mind Releases new EP ‘At Water’
Posted by VMan on May 17, 2022
James Beasley, known to some by his stage name Maejis Mind, is a solo music project created by an up-and-coming musician originally residing in Philadelphia and currently based in Los Angeles. Since releasing his first single in September 2021, Maejis Mind’s music has explored music in psychedelic rock, dream pop, R&B, and more. His eclectic influences come together on his new 3-track-EP, ‘At Water’ in the best way possible. Delicately bouncing between pop, R&b, psychedelic rock and dream pop over the course of the 3 songs, you don’t want to miss out on this. Keep a tab on Maejis Mind!
“I first started writing these songs in February 2022, and it has been a joy to put these songs together. Overall, it’s my most honest work yet and I’m happy that I was able to experiment with different styles and production techniques.”
Albums | Melodic Techno Artist Burko Unveils His Vocals In “Here Before”
Posted by VMan on February 4, 2022

Burko has taken over the SoCal scene by storm with his uniquely dark-yet-melodic style of house and techno. Today, he releases “Here Before” debuting his own sweet falsetto on the track.
Burko tells us: “When I wrote “Here Before” I was in my last bit of grad school, and had a lot of pressure from family to go into a more traditional line of work after graduation. I knew I needed to push myself and the Burko project harder if I was going to move into music full time after graduating, so I decided to do something with this song I had never done before, sing on my own track. Putting nerves aside of letting my singing voice be heard, I wrote these vocals around the theme of “staying the course.” The lyric in the song, “Don’t lose sight of why we’re here” is a reminder to myself not to lose sight of the dream of making music and touring after graduation, instead of a more traditional route. And the title, “Here Before,” refers to the place in my mind I sometimes end up at, when fear of the future sets in and I have to remind myself to stay the course.”
Beginning his production journey only a few years ago, Burko’s music has been picked up and played by many established DJ’s including Kyle Watson, Steve Darko, Wongo, Londonbridge and SNBRN. Key early support from heavy weights allowed for Burko to sail to the forefront of California’s burgeoning underground scene in a very short order. In 2021, Burko headlined the iconic Spin Nightclub, Bang Bang and played the Grand Artique Stage at Insomniac’s Beyond Wonderland Festival.
2022 sees Burko rolling out his debut EP, titled Infrared — a 4-track tour de force highlighting the producer’s unequaled style of “Medieval House” music.
Alternative | Fiery Indie-Pop Artist Sophie Kilburn Shares Debut EP ‘My Room Made Public’
Posted by VMan on September 12, 2021
Sophie’s new My Room Made Public, is a four-track EP with an indie-pop inspired style fused with a classic 70s flare throughout. It is a bold sonic fusion of old school rocker & modern pop warrior that sits neatly alongside ALT Pop heroes like Haim, Phoebe Bridgers and Soccer Mummy that have successfully contributed to a new genre that fits in both the past and the present, with a heavy emphasis on storytelling. Check out a thorough quote on the project after the jump and stream Sophie’s new EP above now.
“The concept of the EP started from my growing hunger turned obsession with wanting to be heard. What do I have to do to be really listened to, to be taken seriously as an artist, as a woman, as a person? How much do I have to share to feel like I’m enough? I spiraled, thinking ‘it’s just not in the cards for me’. The noise in my head got so loud that it really started to well… piss me off. I became acutely aware of how strong the pressure of sharing everything with everyone all the time is. There is this fear that if you don’t share it all your identity is no longer validated or worthwhile and that can be very dangerous. I don’t want to keep feeling that and I don’t want anyone else feeling that either. The project took on a whole new meaning when the pandemic hit and we were all forced to reflect on ourselves and the world we live in, it made me think well it is more relatable now than ever. With My Room Made Public, I wanted to create a body of work that is an emotionally open and honest introduction to me as an artist and the songs I write. It is chapter one of what I hope will become a classic trilogy. At the end of the day, I just want to bring emotional comfort and make people want to fight for what they want out of life, find themselves in their own way and to never settle for something that hurts them. I guess I am trying to do that for myself too but there is always strength in numbers.”