House | Kong the Dj Breaks Barrier Beyond Live Shows, Debuts Release ‘I Got U’
Posted by VMan on September 8, 2023
The vast panorama of electronic music is about to be enriched with Kong the Dj’s first ever release, “I Got U.” One doesn’t merely listen to such a piece; it’s an experience, akin to stepping inside a modern symphony hall, where every note is meticulously composed.
Where some artists employ a plethora of sounds, Kong opts for a measured approach. His drum work acts as a staccato prelude, leading to a minimalist lyricism that carries the weight of profundity. Kong the Dj’s track is emblematic of his larger body of work, where his accolades aren’t merely for producing sound but for crafting unique musical tapestries. In a genre sometimes criticized for being monotonous, Kong rises above, reminiscent of classical composers who weaved stories into their orchestrations.
With “I Got U,” the dance sphere witnesses a composition that moves beyond the limits of genre. It’s an embodiment of emotion, bridging the gap between classical precision and contemporary innovation. In a crowded realm of electronic names, Kong the Dj is poised to leave an indelible mark, one rhythm at a time.
House | Sherm & Isaac Palmer Unleash House Vibes With Drake’ & Travis Scott’s ‘P**** & Millions’ Remix
Posted by VMan on September 5, 2023
In the vast terrain of tech house, certain collaborations resonate, echoing the heritage of dance music while shaping its future. Cue Sherm and Isaac Palmer, whose audacious take on Drake & Travis Scott’s “Pussy & Millions” is a example to this balancing act. Released under the sophisticated Hood Politics imprint, the track channels a raw undercurrent of bass and drum dynamics, neatly juxtaposing the mainstream allure of Drake & Scott’s vocals.
Sherm, with his deep Chicagoan roots, offers more than just music; he provides an experience. His insights from the historic city reveal themselves in this track. “This edit is a masterclass in energy modulation,” he asserts. Beyond this venture, his achievements stand tall. His podcast, ‘Sherm In The Booth,’ is a venerated pillar in the electronic scene, and his appearance at ACRAZE’s Lollapalooza after-party and the North Coast Music Festival further embolden his reputation.
Isaac Palmer, though just 23, paints with broader strokes. Gracing stages from Mysteryland to North Coast and undertaking European tours, he’s no newcomer. His remixes for industry stalwarts like Ty Dolla $ign and The Chainsmokers bespeak a knack for redefining soundscapes.
Together, Sherm and Palmer’s “Pussy & Millions” offers a excellent experience on tech house’s enduring legacy and its electrifying horizons.
House | ‘The Back Beat’ EP Showcases alice.km’s Epic Techno Skill In Full Swing
Posted by VMan on August 8, 2023
On July 21st, the world will once again be reminded of the artistic prowess of the exceptional techno artist alice.km. With the impending release of her new EP, The Back Beat, on Eclipse Red label, she’s showcasing a variation in her sound by crafting up techno singles that she’s ready to show to the world.
Her two new tracks, “The Back Beat” and “Talk To Me,” are veritable auditory expeditions. The former is a plunge into a dystopian soundscape, characterized by pounding basslines and careful vocal placements. The latter, in contrast, retains the techno essence but infuses it with bare, seductive melodies that balance the relentless intensity.
alice.km’s journey is an inspiring one – from her early DJ days in Brooklyn, New York, to her illustrious EP that is now upon us – with over 120,000 Spotify streams, there’s clearly a demand for her music that can’t be denied. She had the opportunity to open for Drumcode’s Tempe tour, showcasing her skills and gaining exposure to a wider audience. alice.km also had the privilege of performing at prestigious events such as Dusk Music Festival and Arrival Festival by Move For Sol. On top of this, alice.km had the honor of providing direct support for renowned artists Marsh and Sacha Robotti.
The Back Beat EP is more than just a new release. It represents the journey of a human going through an evolution – who crafted sound into stories, and who doesn’t forget that it’s not about the goal, it’s about the journey.
House | Damo Cox Puts His Vision Of Minimal House On Display With ‘Wub Me’ EP
Posted by VMan on August 2, 2023
As I look at the rich tapestry of music, it reminds me of the ebbs and flows of life, mirroring the artistic landscape painted by emotions. In this sprawling canvas, Damo Cox emerges as a painter, but of the underrated genre, minimal house. With his new EP, Wub Me, it feels like a blissful dance beneath a sunlit sky. The two tracks it offers are like two facets of the night – “Get With Me” evokes the exhilarating spirit of late night club dances, while “Deep Wubs” is a mellower, contemplative serenade, reminiscent of a sunrise set.
The journey of Damo Cox, coming from Australia, resonates deeply. He’s not just an artist but a phoenix, rising from a painful setback in wakeboarding to redefining his dreams in the world of electronic music. As he stitches together intricate sound designs, one can sense his embrace of house music’s essence while also keeping his sound’s distinctiveness.
His ties with the land down under run deep, with performances resonating at festivals like Splendour in the Grass. But it’s not just the festivals; his music, echoing in various corners of Australia, speaks volumes of his versatility. Sharing the stage with artists like Phil Smart and Dena Amy, and running his own radio show, what Damo has manifested is something hundreds of other artists crave. His journey, much like my own, is a symbol to the resilience of the human spirit, of the courage to reinvent, and the passion to create.
He took the time out to do an interview as well, check it out in full below.
Exclusive Interview
What inspired you to create the ‘Wub Me EP’ and what message do you hope listeners take away from it?
I wrote both at a point when I was going through a tough time with my mental health. It was a bit of a roller coaster! There would be some dark days, but on the other hand, with the good people I had around me, the light would shine through, and there would be some really good days. I wanted the EP to showcase the light and dark, so ‘Deep Wubs’ has those darker undertones and a deeper vibe, whereas ‘Get With Me’ is on the lighter side, especially with the bouncy bass line. The overall message is that even in those dark times, there is always some light around the corner.
Can you tell us about the creative process behind the tracks on the EP? Any unique elements or influences that you incorporated?
I really draw inspiration from so many different places. Artists like Chris Lake, Michael Bibi, Wongo, and Kyle Watson have been ones that I regularly draw inspiration from. Also, my good friend Craig Roberts, with whom I have a side project called GrooveJak, has been a really big influence on the way I produce. I also really love the way Liam Howlett from The Prodigy uses samples to create something that sounds new and original. That was definitely an inspiration for the use of the samples in “Get With Me”. I had been listening to a lot of Paul Kalkbrenner at the time too, so his deeper vibes were a bit of an inspiration for “Deep Wubs” and the synth on the track was inspired by “The XX – Intro”.
How do you feel your previous experiences as a DJ, producer, and audio engineer have shaped the sound and direction of the ‘Wub Me EP’?
Starting out as a DJ gave me a feel for what gets people moving in the club, so that plays a big part in the way I write and how I’ve shaped my sound. Some of my first productions lacked energy when I tested them out in the clubs, and so I learned a hard lesson early on and always to maintain good energy in my tracks. As a kid, I played the drums, so that helps me when I want to add a bit more energy to the groove. Doing my Bachelor of Audio at SAE in Byron Bay gave me a whole new appreciation for producing music, Mixing, and Mastering. It changed how I approached my projects creatively; it really gave me the tools to both know the rules and then think about how to bend them to make something different and define a sound that is mine. Starting “Sorta Kinda Music” has also played a big part in shaping my sound. Ky, who is the other half of the label, has eclectic taste in music and has introduced me to heaps of new sounds. I learn something new every time I work on a track with amazing artists from around Australia and overseas.
‘Day For It’ achieved great success, reaching #1 on the Traxsource Electro House Chart. What do you think sets this track apart and resonates with listeners?
It’s funny because that track really just started out as a bit of an in-house joke between myself and some of the artists on the label because it just had become the catchphrase of that particular Summer. I was tinkering around with another unfinished track one night, and thought it had a fun vibe but was missing something. Next thing I know, I’m recording myself saying the hook, ‘It’s a f***cken day for it’. When Heizer (Aus) and Just.Jax heard it, they wanted to make remixes. Then we had this whole package sitting there, so we released it under Sorta Kinda Music without any real expectations. We were all pretty surprised at the positive response to it. I think it just came down to having an authentic Aussie Summer vibe—a track that a few mates kinda cooked up over a few beers (back when I was still drinking) – and it doesn’t get much more authentic and Aussie than that.
With your extensive experience in the music industry, what do you see ‘Wub Me EP’ contributing to the greater house music community?
Everything is a learning opportunity, and with every release, I take something new away from it. This EP was created during a tough time in my life, which is also an experience that I have learned so much from. I’m a big believer in collaboration and supporting others in the community, so anything I learn, I’m always willing to share with others, whether they are artists that we sign to the label, artists I am lucky enough to collab with, or artists I mentor. Music also has a very special way of making people happy and connecting people, so my hope with this EP is that it resonates with the community and makes people feel good! Maybe it will help someone through one of those darker moments in their life and help them get back to a happier place. That would be nice.
Apparel, House | BLUUR Showcases Multi-Dimensional Vibes In ‘Don’t Overthink It’ Fun Visualizer
Posted by VMan on July 11, 2023
Las Vegas is set to buzz this summer with the electrifying performance of the rapidly rising music sensation, BLUUR. Promising a vibrant future, BLUUR’s anticipated show will offer a memorable night, setting the stage for an innovative future in audio-visual wonder.
Emphasizing audience engagement, BLUUR plans to turn the “No Warning” concept into an annual spectacle: BLUURED OUT, live-streamed on Twitch. This immersive experience aims to reshape how we enjoy music, offering a new level of audience envelopment.
Committed to driving meaningful change, BLUUR showcased their art for a cause at the charity event, BLUURED OUT, supporting the End Overdose Organization. Their iconic sound design, characterized by pulsating rhythms and captivating melodies, has echoed through renowned venues like Academy LA and the Hollywood Palladium.
After their successful tracks “Dance” and “No Sleep,” and their win at the 2022 Discovery Project by Insomniac, BLUUR recently released the visually stunning music video for “Don’t Overthink It.” This audio-visual treat features psychedelic visuals, unexpected light flashes, thumping beats, and a dancing alien. This engaging narrative blends the bizarre and captivating, showcasing BLUUR’s essence—innovative, unconventional, and profoundly engaging.
Deep House | Tadeo Fernandez & Amber Rothschild Team Up On Enchanting Deep House Single ‘Super Wild’
Posted by VMan on July 1, 2023
Steeped in the vibrant rhythms of Miami and Guadalajara, the chart-topping artist, Tadeo Fernandez, has delighted us once again with his latest tech-house sensation, “Super Wild.” Boasting an electrifying blend of thunderous basslines and entrancing beats, “Super Wild” a single well-fitting for the clubs, promises a euphoric jolt that courses through its listeners.
Fernandez, known for his hit tracks “Peaceful” and “Deep Lies,” has now produced another gem that beautifully integrates the soulful crooning of Amber Rothschild. The result is a pulsating track resonating with high-energy soundscapes, offering a sophisticated, club-ready experience that leaves you craving more.
Fernandez’s track record boasts not only millions of streams but also successful collaborations with esteemed brands like Yves Saint Laurent, Tommy Hilfiger, Versace, MLB, and Absolute Vodka. “Super Wild” confirms his place at the apex of the music scene, demonstrating the same compelling style that has dominated music charts.
Indeed, with “Super Wild,” Fernandez and Rothschild have created a harmonious symphony that glows with in-demand style and emotional depth. The release is unmissable – showing off Tadeo Fernandez at his best.
House | Vulture Theory, HAWD HITTA, and NoBueno Drop Heavy House Single For Summer ‘SYNTHETIC SANDS’
Posted by VMan on June 16, 2023
Experience the explosive collaboration of Vulture Theory, HAWD HITTA, and NoBueno as they unleash their addictive new tune, “SYNTHETIC SANDS,” just in time for the peak festival season. Released under the esteemed SEARCHPRTY RECORDS label, this electrifying house anthem is set to dominate cross culturally and multi-nationally.
Vulture Theory, the enigmatic persona of Dustin DePalama-Shields, is a Los Angeles-based underground house artist known for fearlessly blending tech house and experimental elements. His style has earned him a devoted following in the city’s vibrant music scene.
HAWD HITTA infuses “SYNTHETIC SANDS” with his signature vigor, listening back to his other releases, you can sense the commonalities. Having shared stages with industry giants and opened for A-List music acts, HAWD HITTA is set to unleash irresistible beats that will ignite festival crowds.
NoBueno, a versatile artist who began as a local DJ in Boston, has evolved into a sought-after producer, vocalist, and multi-instrumentalist. His eclectic style adds depth to “SYNTHETIC SANDS,” one part of bigger picture that made this track a sucess.
With the release of “SYNTHETIC SANDS,” they solidify their reputation as influential tastemakers in the industry. Happening June 17th, Vulture Theory, HAWD HITTA, and NoBueno will be performing at Academy LA together, a meaningful moment all around and a neck-breaking experience for those who attend. Get your tickets here for this event.